'E in rileggendo poi le proprie note': Monteverdi responds to Artusi?
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- Renaissance Studies, 2012, v. 26, n. 1, p. 138, doi. 10.1111/j.1477-4658.2011.00793.x
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Works matching IS 02691213 AND DT 2012 AND VI 26 AND IP 1
Results: 8
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Revealing their hand: lute tablatures in early seventeenth-century England.
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- Renaissance Studies, 2012, v. 26, n. 1, p. 112, doi. 10.1111/j.1477-4658.2011.00792.x
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- Article
3
The Ricreationi per monache of Suor Annalena Aldobrandini.
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- Renaissance Studies, 2012, v. 26, n. 1, p. 34, doi. 10.1111/j.1477-4658.2011.00789.x
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4
My Ladye Nevells Booke: music, patronage and cultural negotiation in late sixteenth-century England.
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- Renaissance Studies, 2012, v. 26, n. 1, p. 88, doi. 10.1111/j.1477-4658.2011.00791.x
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- Article
5
The order of the book: materiality, narrative and authorial voice in John Dowland's First Booke of Songes or Ayres.
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- Renaissance Studies, 2012, v. 26, n. 1, p. 13, doi. 10.1111/j.1477-4658.2011.00788.x
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- Article
6
Affordable splendour: editing, printing and marketing the Sarum Antiphoner (1519-20).
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- Renaissance Studies, 2012, v. 26, n. 1, p. 60, doi. 10.1111/j.1477-4658.2011.00790.x
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- Article
7
Notes on contributors.
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- Renaissance Studies, 2012, v. 26, n. 1, p. 156, doi. 10.1111/j.1477-4658.2011.00794.x
- Publication type:
- Article
8
Musical materials and cultural spaces.
- Published in:
- Renaissance Studies, 2012, v. 26, n. 1, p. 1, doi. 10.1111/j.1477-4658.2011.00787.x
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- Article