Eyes at the Back of His Head: Precarious Masculinity and the Modern Tracking Shot.
- Published in:
- Paragraph, 2015, v. 38, n. 1, p. 86, doi. 10.3366/para.2015.0148
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- Publication type:
- Article
Works matching IS 02648334 AND DT 2015 AND VI 38 AND IP 1
Results: 10
1
2
Filming Dance: Embodied Syntax in Sasha Waltz's S.
- Published in:
- Paragraph, 2015, v. 38, n. 1, p. 69, doi. 10.3366/para.2015.0147
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- Publication type:
- Article
3
'To see what's down there': Embodiment, Gestural Archaeologies and Materializing Futures.
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- Paragraph, 2015, v. 38, n. 1, p. 55, doi. 10.3366/para.2015.0146
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- Publication type:
- Article
4
Fugitive Aesthetics: Embodiment, Sexuality and Escape from Alcatraz.
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- Paragraph, 2015, v. 38, n. 1, p. 37, doi. 10.3366/para.2015.0145
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- Publication type:
- Article
5
Unsettling Perception: Screening Surveillance and the Body in Red Road.
- Published in:
- Paragraph, 2015, v. 38, n. 1, p. 101, doi. 10.3366/para.2015.0149
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- Publication type:
- Article
6
What Can a Body Do? Answers from Trablus, Cairo, Beirut and Algiers.
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- Paragraph, 2015, v. 38, n. 1, p. 118, doi. 10.3366/para.2015.0150
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- Article
7
Notes to Contributors.
- Published in:
- Paragraph, 2015, v. 38, n. 1, p. 136, doi. 10.3366/para.2015.0151
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- Article
8
Introduction: Screening Embodiment.
- Published in:
- Paragraph, 2015, v. 38, n. 1, p. 1, doi. 10.3366/para.2015.0142
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- Publication type:
- Article
9
'Her hair over her arms and her arms full of flowers': Love and Unknowing in Alina Marazzi's Un'ora sola ti vorrei ( For One More Hour with You) (2002).
- Published in:
- Paragraph, 2015, v. 38, n. 1, p. 7, doi. 10.3366/para.2015.0143
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- Publication type:
- Article
10
The CrossFit Sensorium: Visuality, Affect and Immersive Sport.
- Published in:
- Paragraph, 2015, v. 38, n. 1, p. 20, doi. 10.3366/para.2015.0144
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- Publication type:
- Article