Categorising Instrumental Playing Techniques in Terms of Gestures: the Case of Pression for One Cellist by Helmut Lachenmann.
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- Music Analysis, 2024, v. 43, n. 3, p. 422, doi. 10.1111/musa.12239
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Works matching IS 02625245 AND DT 2024 AND VI 43 AND IP 3
Results: 5
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Hypermetric Manipulations in Mozart and Haydn: Chamber Music for Strings, 1787–1791.
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- Music Analysis, 2024, v. 43, n. 3, p. 459, doi. 10.1111/musa.12238
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- Article
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Alban Berg's Op. 5/2 and the Concept of Recomposition.
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- Music Analysis, 2024, v. 43, n. 3, p. 380, doi. 10.1111/musa.12236
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- Article
4
Yvonne Loriod and the Practice of Analytical Memory.
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- Music Analysis, 2024, v. 43, n. 3, p. 331, doi. 10.1111/musa.12235
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- Article
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Issue information ‐ TOC.
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- Music Analysis, 2024, v. 43, n. 3, p. 329, doi. 10.1111/musa.12215
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- Article