The Origin of the Dominant: Schoenberg's 'Strong Progression' and the Realisation of Implied Virtual Pitches.Published in:Music Analysis, 2024, v. 43, n. 2, p. 247, doi. 10.1111/musa.12233By:PARNCUTT, RICHARDPublication type:Article
Analysing Stylistic Differences between Orchestras: an Empirical Study of the 'Viennese Rhythm' in the Vienna Philharmonic's Recordings of The Blue Danube.Published in:Music Analysis, 2024, v. 43, n. 2, p. 302, doi. 10.1111/musa.12234By:Zhou, Danny;Yang, JianPublication type:Article
Corpus Studies and 'Close Listening'.Published in:Music Analysis, 2024, v. 43, n. 2, p. 191, doi. 10.1111/musa.12229By:MARTIN, NATHAN JOHNPublication type:Article
Issue information ‐ TOC.Published in:Music Analysis, 2024, v. 43, n. 2, p. 189, doi. 10.1111/musa.12214Publication type:Article