Sins of the Father: Schenker, Schenkerism and Ewell's On Music Theory.
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- Music Analysis, 2024, v. 43, n. 1, p. 136, doi. 10.1111/musa.12226
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- Article
Works matching IS 02625245 AND DT 2024 AND VI 43 AND IP 1
Results: 7
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Sex Sounds: Vectors of Difference in Electronic Music.
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- Music Analysis, 2024, v. 43, n. 1, p. 175, doi. 10.1111/musa.12225
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- Article
3
Sonata Form as Temporal Process: the First Movement of Bruckner's Sixth symphony.
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- Music Analysis, 2024, v. 43, n. 1, p. 36, doi. 10.1111/musa.12224
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- Article
4
The Mendelssohn of the Eighteenth Century: Tonal Growth, Functional Fluidity and Formal Complication in the First Movement of the D Major Quartet, Op. 44 No. 1.
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- Music Analysis, 2024, v. 43, n. 1, p. 3, doi. 10.1111/musa.12228
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- Article
5
Investigating a Vocal Improvisatory Genre (Mawwāl) in Arab Music: a Case Study of a Mawwāl Performance by Wadī' al‐Ṣāfī.
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- Music Analysis, 2024, v. 43, n. 1, p. 114, doi. 10.1111/musa.12227
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- Article
6
Issue information ‐ TOC.
- Published in:
- Music Analysis, 2024, v. 43, n. 1, p. 1, doi. 10.1111/musa.12213
- Publication type:
- Article
7
Phasic Dissonance, Timbral Contrast: Analysing 20th‐Century Guitar Harmonies with Discrete Fourier Transform.
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- Music Analysis, 2024, v. 43, n. 1, p. 77, doi. 10.1111/musa.12223
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- Publication type:
- Article