Varieties of Musical Irony: from Mozart to Mahler.
- Published in:
- Music Analysis, 2019, v. 38, n. 3, p. 421, doi. 10.1111/musa.12143
- By:
- Publication type:
- Article
Works matching IS 02625245 AND DT 2019 AND VI 38
Results: 17
1
2
Structural Acceleration in Nielsen's Sinfonia espansiva.
- Published in:
- Music Analysis, 2019, v. 38, n. 3, p. 358, doi. 10.1111/musa.12132
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- Publication type:
- Article
3
Domenico Scarlatti, Escape Artist: Sightings of His 'Mixed Style' towards the End of the Eighteenth Century.
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- Music Analysis, 2019, v. 38, n. 3, p. 253, doi. 10.1111/musa.12139
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- Publication type:
- Article
4
Ernest Bloch Studies.
- Published in:
- Music Analysis, 2019, v. 38, n. 3, p. 426, doi. 10.1111/musa.12144
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- Publication type:
- Article
5
Music and Levels of Narration in Film: Steps Across the Border'The Rite of Spring' at 100.
- Published in:
- Music Analysis, 2019, v. 38, n. 3, p. 432, doi. 10.1111/musa.12145
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- Publication type:
- Article
6
Issue information ‐ TOC.
- Published in:
- Music Analysis, 2019, v. 38, n. 3, p. 251, doi. 10.1111/musa.12127
- Publication type:
- Article
7
Retheorising the End: Sonata Structures and Morphological Form in Shostakovich's String Quartet Finales.
- Published in:
- Music Analysis, 2019, v. 38, n. 3, p. 297, doi. 10.1111/musa.12120
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- Publication type:
- Article
8
The Development‐Ending Dominant and the Late Cadence in vi: Changing Norms in the Sonatas of Haydn, Mozart and Beethoven.
- Published in:
- Music Analysis, 2019, v. 38, n. 3, p. 387, doi. 10.1111/musa.12117
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- Publication type:
- Article
9
Postcolonial Bifurcation: On John Sharpley's Emptiness.
- Published in:
- Music Analysis, 2019, v. 38, n. 3, p. 316, doi. 10.1111/musa.12115
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- Publication type:
- Article
10
Structure and Process in the Old French jeu‐parti.
- Published in:
- Music Analysis, 2019, v. 38, p. 47, doi. 10.1111/musa.12137
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- Publication type:
- Article
11
'Blinded by the Desire of Riches': Corruption, Anger and Resolution in the Two‐Part Notre Dame Conductus Repertory.
- Published in:
- Music Analysis, 2019, v. 38, p. 109, doi. 10.1111/musa.12135
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- Publication type:
- Article
12
Issue information ‐ TOC.
- Published in:
- Music Analysis, 2019, v. 38, p. 1, doi. 10.1111/musa.12142
- Publication type:
- Article
13
The Monstrous New Art: Divided Forms in the Late Medieval MotetUpper‐Voice Structures and Compositional Process in the Ars Nova Motet.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
14
Tornando Indietro: Dante's Tornata and Metapoetic Returns in the Trecento Madrigal.
- Published in:
- Music Analysis, 2019, v. 38, p. 204, doi. 10.1111/musa.12134
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- Publication type:
- Article
15
Linear Narratives in Cyclical Form: the Hunt for Reason in the Cantigas de Santa Maria.
- Published in:
- Music Analysis, 2019, v. 38, p. 80, doi. 10.1111/musa.12131
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- Publication type:
- Article
16
Do Trouvère Melodies Mean Anything?
- Published in:
- Music Analysis, 2019, v. 38, p. 3, doi. 10.1111/musa.12121
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- Publication type:
- Article
17
New Light on the Mid‐Fourteenth‐Century Chace: Canons Hidden in the Tournai Manuscript.
- Published in:
- Music Analysis, 2019, v. 38, p. 155, doi. 10.1111/musa.12116
- By:
- Publication type:
- Article