Scriabin's Prelude Op. 67 No. 1: Pitch Orthography, Musical Climax and Form.
- Published in:
- Music Analysis, 2017, v. 36, n. 3, p. 419, doi. 10.1111/musa.12090
- By:
- Publication type:
- Article
Works matching IS 02625245 AND DT 2017 AND VI 36 AND IP 3
Results: 6
1
2
Song and the Music of Poetry.
- Published in:
- Music Analysis, 2017, v. 36, n. 3, p. 315, doi. 10.1111/musa.12091
- By:
- Publication type:
- Article
3
Tonal Problems as Agents of Narrative in Brahms's Unbewegte laue Luft, Op. 57 No. 8.
- Published in:
- Music Analysis, 2017, v. 36, n. 3, p. 350, doi. 10.1111/musa.12100
- By:
- Publication type:
- Article
4
Linear and Linguistic Syntax in Brahms's O Kühler Wald, Op. 72 No. 3.
- Published in:
- Music Analysis, 2017, v. 36, n. 3, p. 372, doi. 10.1111/musa.12101
- By:
- Publication type:
- Article
5
(Post-)Tonal Key Relationships in Scriabin's Late Music.
- Published in:
- Music Analysis, 2017, v. 36, n. 3, p. 384, doi. 10.1111/musa.12095
- By:
- Publication type:
- Article
6
Issue information - TOC.
- Published in:
- Music Analysis, 2017, v. 36, n. 3, p. 313, doi. 10.1111/musa.12080
- Publication type:
- Article