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Works matching IS 02625245 AND DT 2017 AND VI 36 AND IP 2

Results: 7

1

Time-Space Experience in Works for Solo Cello by Lachenmann, Xenakis and Ferneyhough: a Performance-Sensitive Approach to Morphosyntactic Musical Analysis.

Published in:

Music Analysis, 2017, v. 36, n. 2, p. 216, doi. 10.1111/musa.12076

By:

Utz, Christian

Publication type:

Article

2

Issue information - TOC.

Published in:: Music Analysis, 2017, v. 36, n. 2, p. 161, doi. 10.1111/musa.12079
Publication type:: Article

3

Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno What is a Cadence? Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire.

Published in:

Music Analysis, 2017, v. 36, n. 2, p. 257, doi. 10.1111/musa.12089

By:

Hyland, Anne M.

Publication type:

Article

4

Bach's Numbers: Compositional Proportion and Significance.

Published in:

Music Analysis, 2017, v. 36, n. 2, p. 268, doi. 10.1111/musa.12092

By:

Wells, Robert L.

Publication type:

Article

5

Inventing Tradition: Webern's Piano Variations in Early Recordings.

Published in:

Music Analysis, 2017, v. 36, n. 2, p. 163, doi. 10.1111/musa.12094

By:

Cook, Nicholas

Publication type:

Article

6

Dāphā: Sacred Singing in a South Asian City: Music, Meaning and Performance in Bhaktapur, Nepal.

Published in:

Music Analysis, 2017, v. 36, n. 2, p. 296, doi. 10.1111/musa.12096

By:

Markham, Elizabeth J.

Publication type:

Article

7

Becoming Heinrich Schenker: Music Theory and Ideology Beethoven's Last Piano Sonatas: an Edition with Elucidation Music Theory, Analysis, and Society: Selected Essays.

Published in:

Music Analysis, 2017, v. 36, n. 2, p. 282, doi. 10.1111/musa.12099

By:

Drabkin, William

Publication type:

Article