Sexual Subversion and the Subdominant: the Case of Suede.
- Published in:
- Music Analysis, 2017, v. 36, n. 1, p. 116, doi. 10.1111/musa.12087
- By:
- Publication type:
- Article
Works matching IS 02625245 AND DT 2017 AND VI 36 AND IP 1
Results: 8
1
2
Introductory Note.
- Published in:
- 2017
- Publication type:
- Editorial
3
Issue information - TOC.
- Published in:
- Music Analysis, 2017, v. 36, n. 1, p. 1, doi. 10.1111/musa.12078
- Publication type:
- Article
4
Two Approaches to Tonal Space in the Music of Muddy Waters.
- Published in:
- Music Analysis, 2017, v. 36, n. 1, p. 37, doi. 10.1111/musa.12084
- By:
- Publication type:
- Article
5
Rock Harmony Reconsidered: Tonal, Modal and Contrapuntal Voice-Leading Systems in Radiohead.
- Published in:
- Music Analysis, 2017, v. 36, n. 1, p. 59, doi. 10.1111/musa.12085
- By:
- Publication type:
- Article
6
The Pump-Up in Pop Music of the 1970s and 1980s.
- Published in:
- Music Analysis, 2017, v. 36, n. 1, p. 94, doi. 10.1111/musa.12086
- By:
- Publication type:
- Article
7
Filling In: Syncopation, Pleasure and Distributed Embodiment in Groove.
- Published in:
- Music Analysis, 2017, v. 36, n. 1, p. 138, doi. 10.1111/musa.12082
- By:
- Publication type:
- Article
8
An Introduction to Frank Zappa's 'Chord Bible'.
- Published in:
- Music Analysis, 2017, v. 36, n. 1, p. 4, doi. 10.1111/musa.12083
- By:
- Publication type:
- Article