Brahms and the Principle of Destabilised Beginnings.
- Published in:
- Music Analysis, 2009, v. 28, n. 1, p. 3, doi. 10.1111/j.1468-2249.2010.00286.x
- By:
- Publication type:
- Article
Works matching IS 02625245 AND DT 2009 AND VI 28 AND IP 1
Results: 7
1
2
Brahms's Motivic Harmonies and Contemporary Tonal Theory: Three Case Studies from the Chamber Music.
- Published in:
- Music Analysis, 2009, v. 28, n. 1, p. 63, doi. 10.1111/j.1468-2249.2010.00287.x
- By:
- Publication type:
- Article
3
Rhetorical Closure in the First Movement of Schubert's Quartet in Cmajor, D. 46: A Dialogue with Deformation.
- Published in:
- Music Analysis, 2009, v. 28, n. 1, p. 111, doi. 10.1111/j.1468-2249.2010.00296.x
- By:
- Publication type:
- Article
4
SchenkerGuide: A Brief Handbook and a Website for Schenkerian Analysis – By Tom Pankhurst.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
5
Schenker's Vienna: Nicholas Cook on Culture, Race and Music Theory infin-de-siècle Austria.
- Published in:
- Music Analysis, 2009, v. 28, n. 1, p. 153, doi. 10.1111/j.1468-2249.2010.00298.x
- By:
- Publication type:
- Article
6
Associate Editor's Note.
- Published in:
- 2009
- Publication type:
- Editorial
7
Notes on Contributors.
- Published in:
- Music Analysis, 2009, v. 28, n. 1, p. 181, doi. 10.1111/j.1468-2249.2010.00300.x
- Publication type:
- Article