Performance, Grouping and Schenkerian Alternative Readings in Some Passages from Beethoven’s‘Lebewohl’ Sonata.Published in:Music Analysis, 2008, v. 27, n. 1, p. 107, doi. 10.1111/j.1468-2249.2008.00269.xBy:dodson, alanPublication type:Article
Scale Theory, Serial Theory and Voice Leading.Published in:Music Analysis, 2008, v. 27, n. 1, p. 1, doi. 10.1111/j.1468-2249.2008.00257.xBy:tymoczko, dmitriPublication type:Article
Paradoxes of Pitch Space.Published in:Music Analysis, 2008, v. 27, n. 1, p. 51, doi. 10.1111/j.1468-2249.2008.00268.xBy:brower, candacePublication type:Article
Procedure for the Award of Grants from the Music Analysis Development Fund.Published in:2008Publication type:Other
Notes on Contributors.Published in:Music Analysis, 2008, v. 27, n. 1, p. 189, doi. 10.1111/j.1468-2249.2008.00281.xPublication type:Article
Beyond‘Norms and Deformations’: Towards a Theory of Sonata Form as Reception History.Published in:2008By:wingfield, paulPublication type:Book Review
Lateness and Brahms: Music and Culture in the Twilight of Viennese Liberalism - By Margaret Notley.Published in:2008By:O’Connor, Maria PatriciaPublication type:Book Review