Fin-de-siè Wagner:ParsifalAnalysed Through Berg's Programme to Mahler's Ninth Symphony.Published in:Music Analysis, 2004, v. 23, n. 1, p. 27, doi. 10.1111/j.0262-5245.2004.00194.xBy:Baragwanath, NicholasPublication type:Article
The‘Harmonic Major’ Mode in Nineteenth-Century Theory and Practice.Published in:Music Analysis, 2004, v. 23, n. 1, p. 1, doi. 10.1111/j.0262-5245.2004.00193.xBy:Riley, MatthewPublication type:Article
‘Transcending Quotation’: Cross-Cultural Musical Representation in Mauricio Kagel'sDie Stücke der Windrose für Salonorchester.Published in:Music Analysis, 2004, v. 23, n. 1, p. 57, doi. 10.1111/j.0262-5245.2004.00195.xBy:Heile, BjörnPublication type:Article
The Endless Parade: Competing Narratives in Recent Birtwistle Studies.Published in:Music Analysis, 2004, v. 23, n. 1, p. 89, doi. 10.1111/j.0262-5245.2004.00196.xBy:Beard, DavidPublication type:Article
Peter Burt,The Music of Toru Takemitsu.Published in:2004By:Wilson, CharlesPublication type:Book Review
Procedure for the Award of Grants from theMusic AnalysisDevelopment Fund.Published in:2004Publication type:Other