The Mysteries of Animation: History, Analysis and Musical Subjectivity.
- Published in:
- Music Analysis, 2001, v. 20, n. 2, p. 153, doi. 10.1111/1468-2249.00134
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- Publication type:
- Article
Works matching IS 02625245 AND DT 2001 AND VI 20 AND IP 2
Results: 7
1
2
Cristle Collins Judd (ed.), Tonal Structures in Early Music.
- Published in:
- Music Analysis, 2001, v. 20, n. 2, p. 269, doi. 10.1111/1468-2249.00138
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- Publication type:
- Article
3
Notes on Contributors.
- Published in:
- Music Analysis, 2001, v. 20, n. 2, p. 293, doi. 10.1111/1468-2249.00140
- Publication type:
- Article
4
Trial Scenes at Nuremberg.
- Published in:
- Music Analysis, 2001, v. 20, n. 2, p. 239, doi. 10.1111/1468-2249.00137
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- Publication type:
- Article
5
Brahms and Subject/Answer Rhetoric.
- Published in:
- Music Analysis, 2001, v. 20, n. 2, p. 193, doi. 10.1111/1468-2249.00136
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- Publication type:
- Article
6
The DOUTH2 Relation as a Dramatic Signifier in Wagner's Music Dramas.
- Published in:
- Music Analysis, 2001, v. 20, n. 2, p. 179, doi. 10.1111/1468-2249.00135
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- Publication type:
- Article
7
Walter Frisch (ed.), Schoenberg and His World.
- Published in:
- Music Analysis, 2001, v. 20, n. 2, p. 283, doi. 10.1111/1468-2249.00139
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- Publication type:
- Article