Influences of the Early Eighteenth-Century Social Minuet on the Minuets From J. S. Bach's French Suites, BWV 812-17.
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- Music Analysis, 1999, v. 18, n. 2, p. 235, doi. 10.1111/1468-2249.00092
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Works matching IS 02625245 AND DT 1999 AND VI 18 AND IP 2
Results: 7
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Siglind Bruhn (ed.), Encrypted Messages in the Music of Alban Berg.
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- Music Analysis, 1999, v. 18, n. 2, p. 299, doi. 10.1111/1468-2249.00096
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- Article
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At the Borders of Musical Identity: Schenker, Corelli and the Graces.
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- Music Analysis, 1999, v. 18, n. 2, p. 179, doi. 10.1111/1468-2249.00091
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- Article
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Michael Musgrave, Brahms: A German Requiem; David Brodbeck, Brahms: Symphony No. 1.
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- Music Analysis, 1999, v. 18, n. 2, p. 289, doi. 10.1111/1468-2249.00095
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- Article
5
David Crook, Orlando di Lasso's Imitation Magnificats for Counter-Reformation Munich.
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- Music Analysis, 1999, v. 18, n. 2, p. 274, doi. 10.1111/1468-2249.00094
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- Article
6
Recent Schenker: The Poetic Power of Intelligent Calculation (Or, The Emperor's Second Set of New Clothes).
- Published in:
- Music Analysis, 1999, v. 18, n. 2, p. 263, doi. 10.1111/1468-2249.00093
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- Article
7
Notes on Contributors.
- Published in:
- Music Analysis, 1999, v. 18, n. 2, p. 305, doi. 10.1111/1468-2249.00097
- Publication type:
- Article