The Playhouse Effect: John Webster, Deixis and Story-Telling in the Theatres of Jacobean London.
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- Atlantis (0210-6124), 2024, v. 46, n. 1, p. 1, doi. 10.28914/Atlantis-2024-46.1.01
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Works matching IS 02106124 AND DT 2024 AND VI 46 AND IP 1
Results: 14
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Constructional Emergence in A1-C1: A Bird’s Eye View and Alignment.
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- Atlantis (0210-6124), 2024, v. 46, n. 1, p. 243, doi. 10.28914/Atlantis-2024-46.1.13
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Abandoning the Quest? High/Epic Fantasy and the Challenges of the Anthropocene.
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- Atlantis (0210-6124), 2024, v. 46, n. 1, p. 131, doi. 10.28914/Atlantis-2024-46.1.08
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Uncaged Angels: Ecofeminist Literary Ornithology as Citizen Science in the Nineteenth Century.
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- Atlantis (0210-6124), 2024, v. 46, n. 1, p. 71, doi. 10.28914/Atlantis-2024-46.1.05
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“… but be ſure you let it ſettle”:1 Late Modern Authors’ Presence in English Scientific Texts.
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- Atlantis (0210-6124), 2024, v. 46, n. 1, p. 149, doi. 10.28914/Atlantis-2024-46.1.09
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- Article
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Noise and the Other in Rumaan Alam’s Leave the World Behind.
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- Atlantis (0210-6124), 2024, v. 46, n. 1, p. 115, doi. 10.28914/Atlantis-2024-46.1.07
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Navigating the Audience: Trump’s Persona Management Processes Across Political Contexts.
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- Atlantis (0210-6124), 2024, v. 46, n. 1, p. 221, doi. 10.28914/Atlantis-2024-46.1.12
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Language Impairment in English-Speaking Patients with Alzheimer’s Disease: A Role and Reference Grammar Contribution.
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- Atlantis (0210-6124), 2024, v. 46, n. 1, p. 195, doi. 10.28914/Atlantis-2024-46.1.11
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The Conceptual Metaphor PARENTS ARE ANIMALS: On Linguistic Terms Used Figuratively for Types of Parenting.
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- Atlantis (0210-6124), 2024, v. 46, n. 1, p. 171, doi. 10.28914/Atlantis-2024-46.1.10
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Dialectical Sentences and Discursive Conflicts in Nathaniel Hawthorne’s The House of the Seven Gables.
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- Atlantis (0210-6124), 2024, v. 46, n. 1, p. 53, doi. 10.28914/Atlantis-2024-46.1.04
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Hester’s Private Religion of the Heart: Theocracy and Secularism in The Scarlet Letter (1851).
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- Atlantis (0210-6124), 2024, v. 46, n. 1, p. 35, doi. 10.28914/Atlantis-2024-46.1.03
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Unmarried Mothers on the English Stage after the Godly Revolution.
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- Atlantis (0210-6124), 2024, v. 46, n. 1, p. 17, doi. 10.28914/Atlantis-2024-46.1.02
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The Opera that Never was: Dylan Thomas and Igor Stravinsky’s Projected Collaboration.
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- Atlantis (0210-6124), 2024, v. 46, n. 1, p. 89, doi. 10.28914/Atlantis-2024-46.1.06
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Foreword from the Editors.
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- Atlantis (0210-6124), 2024, v. 46, n. 1, p. 1
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