Stage Fright: Modernism, Anti-Theatrically, and Drama.Published in:2004By:Cirella-Urrutia, Anne V.Publication type:Book Review
Beyond the Color Line and the Iron Curtain: Reading Encounters between Black and Red, 1922-1963.Published in:2004By:Garza, Thomas J.Publication type:Book Review
Posts and Pasts: A Theory of Postcolonialism.Published in:2004By:Fuentes, Alexander GilPublication type:Book Review
What Is World Literature?Published in:2004By:Richmond-Garza, Elizabeth M.Publication type:Book Review
The "Golden, Holy Cord of Calculation": Collodi's Second Thoughts on Pinocchio.Published in:2004By:Latimer, DanPublication type:Literary Criticism
Derrida/Blanchot/Boltanski: Borderdiscourse.Published in:Comparatist, 2004, v. 28, p. 96, doi. 10.1353/com.2004.0011By:Barker, StephenPublication type:Article
Sublime Rupert and Beautiful Lenny: Aesthetics and Temporality in Scorsese's "The King of Comedy" and Fosse's "Lenny."Published in:Comparatist, 2004, v. 28, p. 77, doi. 10.1353/com.2004.0009By:Nankov, NikitaPublication type:Article
Chronos/Chroma: Yellow Figures in Proust's "La Prisonnière" and Bely's "Petersburg."Published in:2004By:Doran, SabinePublication type:Literary Criticism
"Directing" the Reader: Khodasevich's "Sorrento Photographs" and Montage.Published in:2004By:Brooks, JasonPublication type:Literary Criticism
The Myth of Poetry: On Heidegger's "Höderlin."Published in:2004By:Grossmann, AndreasPublication type:Literary Criticism
Companions with Time: Milton, Tasso, and Renaissance Dialogue.Published in:2004By:Howard, W. ScottPublication type:Literary Criticism