Brad Osborn Responds.
- Published in:
- 2014
- By:
- Publication type:
- Letter to the Editor
Works matching IS 01956167 AND DT 2014 AND VI 36 AND IP 1
Results: 21
1
2
Colorful Plasticity and Equalized Transparency: Schoenberg's Orchestrations of Bach and Brahms.
- Published in:
- Music Theory Spectrum, 2014, v. 36, n. 1, p. 121, doi. 10.1093/mts/mtu003
- By:
- Publication type:
- Article
3
Harmony and Voice Leading in the Music of Stravinsky.
- Published in:
- Music Theory Spectrum, 2014, v. 36, n. 1, p. 1, doi. 10.1093/mts/mtu008
- By:
- Publication type:
- Article
4
Information for Contributors.
- Published in:
- Music Theory Spectrum, 2014, v. 36, n. 1, p. NP, doi. 10.1093/mts/mtt006
- Publication type:
- Article
5
Contributors.
- Published in:
- Music Theory Spectrum, 2014, v. 36, n. 1, p. 179, doi. 10.1093/mts/mtt002
- Publication type:
- Article
6
A New Lydian Theory for Frank Zappa's Modal Music.
- Published in:
- Music Theory Spectrum, 2014, v. 36, n. 1, p. 146, doi. 10.1093/mts/mtu002
- By:
- Publication type:
- Article
7
Sentences with Words: Text and Theme-Type in Die schöne Müllerin.
- Published in:
- Music Theory Spectrum, 2014, v. 36, n. 1, p. 58, doi. 10.1093/mts/mtu007
- By:
- Publication type:
- Article
8
Complex Multiplication, Structure, and Process: Harmony and Form in Boulez's Structures II.
- Published in:
- Music Theory Spectrum, 2014, v. 36, n. 1, p. 86, doi. 10.1093/mts/mtu005
- By:
- Publication type:
- Article
9
To the Editors.
- Published in:
- 2014
- By:
- Publication type:
- Letter to the Editor
10
Editorial Board.
- Published in:
- Music Theory Spectrum, 2014, v. 36, n. 1, p. NP, doi. 10.1093/mts/mtt004
- Publication type:
- Article
11
Rhymin' and Stealin': Musical Borrowing in Hip-Hop. By Justin A. Williams. Tracking Pop. Ann Arbor: University of Michigan Press, 2013, xvii + 256 pages.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
12
Salome's Grotesque Climax and Its Implications.
- Published in:
- Music Theory Spectrum, 2014, v. 36, n. 1, p. 34, doi. 10.1093/mts/mtu004
- By:
- Publication type:
- Article
13
Brad Osborn Responds.
- Published in:
- 2014
- By:
- Publication type:
- Letter to the Editor
14
TO THE EDITORS.
- Published in:
- 2014
- By:
- Publication type:
- Letter to the Editor
15
Rhymin' and Stealin': Musical Borrowing in Hip-Hop.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
16
A New Lydian Theory for Frank Zappa's Modal Music.
- Published in:
- Music Theory Spectrum, 2014, v. 36, n. 1, p. 146, doi. 10.1093/mts/mtu002
- By:
- Publication type:
- Article
17
Colorful Plasticity and Equalized Transparency: Schoenberg's Orchestrations of Bach and Brahms.
- Published in:
- Music Theory Spectrum, 2014, v. 36, n. 1, p. 121, doi. 10.1093/mts/mtu003
- By:
- Publication type:
- Article
18
Complex Multiplication, Structure, and Process: Harmony and Form in Boulez's Structures II.
- Published in:
- Music Theory Spectrum, 2014, v. 36, n. 1, p. 86, doi. 10.1093/mts/mtu005
- By:
- Publication type:
- Article
19
Sentences with Words: Text and Theme-Type in Die schöne Müllerin.
- Published in:
- Music Theory Spectrum, 2014, v. 36, n. 1, p. 58, doi. 10.1093/mts/mtu007
- By:
- Publication type:
- Article
20
Salome's Grotesque Climax and Its Implications.
- Published in:
- Music Theory Spectrum, 2014, v. 36, n. 1, p. 34, doi. 10.1093/mts/mtu004
- By:
- Publication type:
- Article
21
Harmony and Voice Leading in the Music of Stravinsky.
- Published in:
- Music Theory Spectrum, 2014, v. 36, n. 1, p. 1, doi. 10.1093/mts/mtu008
- By:
- Publication type:
- Article