Expressive Forms in Brahms's Instrumental Music: Structure and Meaning in His Werther Quartet.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
Works matching IS 01956167 AND DT 2009 AND VI 31 AND IP 1
Results: 11
1
2
Music in the Mirror: Reflections on the History of Music Theory and Literature for the Twenty-First Century.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
3
Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
4
Baroque Counterpoint.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
5
Remaking the Song: Operatic Visions and Revisions from Handel to Berio.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
6
Sectional Tonality and Sectional Centricity in Rock Music.
- Published in:
- Music Theory Spectrum, 2009, v. 31, n. 1, p. 157, doi. 10.1525/mts.2009.31.1.157
- By:
- Publication type:
- Article
7
Pitches (Pitch Classes) and Their Intervals are (Sets of) Numbers.
- Published in:
- Music Theory Spectrum, 2009, v. 31, n. 1, p. 153, doi. 10.1525/mts.2009.31.1.153
- By:
- Publication type:
- Article
8
Bach's Inventions: Figuration, Register, Structure, and the "Clear Way to Develop Inventions Properly".
- Published in:
- Music Theory Spectrum, 2009, v. 31, n. 1, p. 101
- By:
- Publication type:
- Article
9
Between Modernism and Postmodernism: Strands of Continuity in Collage Compositions by Rochberg, Berio, and Zimmermann.
- Published in:
- Music Theory Spectrum, 2009, v. 31, n. 1, p. 57, doi. 10.1525/mts.2009.31.1.57
- By:
- Publication type:
- Article
10
Signification of Parody and the Grotesque in György Ligeti's Le Grand Macabre.
- Published in:
- Music Theory Spectrum, 2009, v. 31, n. 1, p. 26, doi. 10.1525/mts.2009.31.1.26
- By:
- Publication type:
- Article
11
Time Warps in Early Jazz.
- Published in:
- Music Theory Spectrum, 2009, v. 31, n. 1, p. 1, doi. 10.1525/mts.2009.31.1.1
- By:
- Publication type:
- Article