Correspondence.
- Published in:
- 2008
- By:
- Publication type:
- Letter
Works matching IS 01956167 AND DT 2008 AND VI 30 AND IP 1
Results: 10
1
2
Near-Maximally-Distributed Cycles and an Instance of Transformation Recursion in Bartók's Etude OP. 18, No. 1.
- Published in:
- Music Theory Spectrum, 2008, v. 30, n. 1, p. 139, doi. 10.1525/mts.2008.30.1.139
- By:
- Publication type:
- Article
3
Melodic Contour and Nonretrogradable Structure in the Birdsong of Olivier Messiaen.
- Published in:
- Music Theory Spectrum, 2008, v. 30, n. 1, p. 89, doi. 10.1525/mts.2008.30.1.89
- By:
- Publication type:
- Article
4
Reading Opera Between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg.
- Published in:
- 2008
- By:
- Publication type:
- Book Review
5
Musical Representations, Subjects, and Objects: The Constructions of Musical Thought in Zarlino, Descartes, Rameau, and Weber.
- Published in:
- 2008
- By:
- Publication type:
- Book Review
6
Lewin, Intervals, and Transformations: a Comment on Hook.
- Published in:
- 2008
- By:
- Publication type:
- Editorial
7
Head and Tails: Subject Play in Bach's Fugues.
- Published in:
- 2008
- By:
- Publication type:
- Editorial
8
Metric Analysis and the Metaphor of Energy: A Way into Selected Songs by Wolf and Schoenberg.
- Published in:
- Music Theory Spectrum, 2008, v. 30, n. 1, p. 61, doi. 10.1525/mts.2008.30.1.61
- By:
- Publication type:
- Article
9
Modulation as a Dramatic Agent in Frank Loesser's Broadway Songs.
- Published in:
- Music Theory Spectrum, 2008, v. 30, n. 1, p. 35, doi. 10.1525/mts.2008.30.1.35
- By:
- Publication type:
- Article
10
Bach's Partita No. 1 in B, BWV 825: Schenker's Unpublished Sketches with Commentary and Alternative Readings.
- Published in:
- Music Theory Spectrum, 2008, v. 30, n. 1, p. 1, doi. 10.1525/mts.2008.30.1.1
- By:
- Publication type:
- Article