SEEING SARAH BERNHARDT: PERFORMANCE AND SILENT FILM.Published in:2016By:ADRIAENSENS, VITOPublication type:Book Review
Aldridge in Action: Building a Visual Digital Interface.Published in:2016By:Gonzalez, AnitaPublication type:Essay
STAGING POWER IN TUDOR AND STUART ENGLISH HISTORY PLAYS: HISTORY, POLITICAL THOUGHT, AND THE REDEFINITION OF SOVEREIGNTY.Published in:2016By:PEARSON, MEGPublication type:Book Review
CONTEMPORARY BLACK BRITISH PLAYWRIGHTS: MARGINS TO MAINSTREAM.Published in:2016By:PONNUSWAMI, MEENAKSHIPublication type:Book Review
THE PERFORMING SUBJECT IN THE SPACE OF TECHNOLOGY: THROUGH THE VIRTUAL, TOWARDS THE REAL.Published in:2016By:BAY-CHENG, SARAHPublication type:Book Review
WORKING IN THE WINGS: NEW PERSPECTIVES ON THEATRE HISTORY AND LABOR.Published in:2016By:ESSIN, CHRISTINPublication type:Book Review
THE RACIAL MUNDANE: ASIAN AMERICAN PERFORMANCE AND THE EMBODIED EVERYDAY.Published in:2016By:LEE, RACHELPublication type:Book Review
SHAKESPEARE'S 'WHORES': EROTICS, POLITICS, AND POETICS.Published in:2016By:OWENS, MARGARET E.Publication type:Book Review
DRAMATURGY OF SOUND IN THE AVANTGARDE AND POSTDRAMATIC THEATRE/NEGOTIATED MOMENTS: IMPROVISATION, SOUND, AND SUBJECTIVITY.Published in:2016By:BENNETT, SUSANPublication type:Book Review
TRANSATLANTIC BROADWAY: THE INFRASTRUCTURAL POLITICS OF GLOBAL PERFORMANCE.Published in:2016By:MARRA, KIMPublication type:Book Review
Getting on with Things: The Currency of Objects in Theatre and Performance Studies.Published in:2016By:Sofer, AndrewPublication type:Book Review
REVOLT. SHE SAID. REVOLT AGAIN.Published in:2016By:PHILLIPS, ELIZABETH M.Publication type:Performance Review
THEATRE, PERFORMANCE AND COGNITION: LANGUAGES, BODIES AND ECOLOGIES/THEATRE AND COGNITIVE NEUROSCIENCE.Published in:2016By:GARNER JR, STANTON B.Publication type:Book Review
Reassessing Obscurity: The Case for Big Data in Theatre History.Published in:2016By:Caplan, DebraPublication type:Essay
SHUFFLE ALONG, OR THE MAKING OF THE MUSICAL SENSATION OF 1921 AND ALL THAT FOLLOWED.Published in:2016By:BREAUX, SHANEPublication type:Performance Review
Mapping Movement on the Move: Dance Touring and Digital Methods.Published in:2016By:Bench, Harmony;Elswit, KatePublication type:Essay
Editorial Comment: Theatre, the Digital, and the Analysis and Documentation of Performance.Published in:Theatre Journal, 2016, v. 68, n. 4, p. xi, doi. 10.1353/tj.2016.0103By:Tompkins, JoannePublication type:Article
WHAT FUELS DEVELOPMENT?Published in:2016By:WELCH, KIMBERLY CHANTALPublication type:Performance Review
ULICA 29: MIĘDZYNARODOWY FESTIWAL TEATRÓW ULICZNYCH [STREET 29: INTERNATIONAL FESTIVAL OF STREET THEATRES].Published in:2016By:JUNTUNEN, JACOBPublication type:Festival Review
A BECKETT TRILOGY: NOT I / FOOTFALLS / ROCKABY.Published in:2016By:O'ROURKE, EMILYPublication type:Performance Review
TANYA TAGAQ IN CONCERT WITH NANOOK OF THE NORTH.Published in:2016By:PRESTON, V. K.Publication type:Performance Review
Really Actually Windy: On Environments, Technologies, and Dividual Performances.Published in:2016By:Birringer, JohannesPublication type:Performance Review
Data Models for Theatre Research: People, Places, and Performance.Published in:2016By:Bollen, JonathanPublication type:Essay
Archives, Numbers, Meaning: The Eighteenth-Century Playbill at Scale.Published in:2016By:Vareschi, Mark;Burkert, MattiePublication type:Essay