AUTOMATA AND MIMESIS ON THE STAGE OF THEATRE HISTORY.Published in:2014By:SMITH, MICHELLE MILLSPublication type:Book Review
BAGGY PANTS COMEDY: BURLESQUE AND THE ORAL TRADITION.Published in:2014By:NELSON, PATRICIA ELISEPublication type:Book Review
UNCLE TOM'S CABIN ON THE AMERICAN STAGE AND SCREEN.Published in:2014By:ROBSON, TOMPublication type:Book Review
PIONEER PERFORMANCES: STAGING THE FRONTIER/ EARLY-TWENTIETH-CENTURY FRONTIER DRAMAS ON BROADWAY: SITUATING THE WESTERN EXPERIENCE IN PERFORMING ARTS.Published in:2014By:KIPPOLA, KARL M.Publication type:Book Review
MASCULINITIES AND THE CONTEMPORARY IRISH THEATRE.Published in:2014By:BARRE, NELSONPublication type:Book Review
SPECTACLES OF REFORM: THEATER AND ACTIVISMIN NINETEENTH-CENTURY AMERICA.Published in:2014By:FRICK, JOHN W.Publication type:Book Review
GREAT LENGTHS: SEVEN WORKS OF MARATHON THEATER.Published in:2014By:REMSHARDT, RALFPublication type:Book Review
THEATRE OF CRISIS: THE PERFORMANCE OF POWER IN THE KINGDOM OF IRELAND, 1662-1692.Published in:2014By:O'ROURKE, DEIRDREPublication type:Book Review
ENTERTAINING CRISIS IN THE ATLANTIC IMPERIUM, 1770-1790.Published in:2014By:SMITH, DANIELPublication type:Book Review
THE HAPPIEST SONG PLAYS LAST/WATER BY THE SPOONFUL.Published in:2014By:ROMÁN, DAVIDPublication type:Performance Review
SING ME A TALE, TELL ME A SONG.Published in:2014By:SAHAKIAN, EMILYPublication type:Performance Review
DRAMATIC BATTLES IN EIGHTEENTH-CENTURY FRANCE: PHILOSOPHES, ANTI-PHILOSOPHES AND POLEMICAL THEATRE.Published in:2014By:CAMP, PANNILLPublication type:Book Review
SHAKESPEARE'S SCHOOLROOM: RHETORIC, DISCIPLINE, EMOTION.Published in:2014By:GALEOS, ADONISPublication type:Book Review
PERSECUTION, PLAGUE, AND FIRE: FUGITIVE HISTORIES OF THE STAGE IN EARLY MODERN ENGLAND.Published in:2014By:GURNIS, MUSAPublication type:Book Review
SHAKESQUEER: A QUEER COMPANION TO THE COMPLETE WORKS OF SHAKESPEARE.Published in:2014By:TOOHEY, DEVINPublication type:Book Review
Shakespeare and His Contemporaries?Published in:2014By:Murray, Patrick J.Publication type:Book Review
IN THE BEGINNING WAS THE END.Published in:2014By:CHAMBERS, JONATHANPublication type:Performance Review
OTHELLO: A DANCE IN THREE ACTS/MACBETH.Published in:2014By:BEALES, MEREDITHPublication type:Performance Review
I, CINNA (THE POET).Published in:2014By:NGONGOTAHA PUGH, IAN BRADFORDPublication type:Performance Review
Revitalizing Japanese American Internment: Critical Empathy and Role-Play in the Musical Allegiance and the Video Game Drama in the Delta.Published in:2014By:Roxworthy, EmilyPublication type:Essay
The Act of Being Saved: Hell House and the Salvific Performative.Published in:2014By:Willenbrink, HankPublication type:Essay
Neoliberal Scandals: Foxconn, Mike Daisey, and the Turn Toward Nonfiction Drama.Published in:2014By:Steen, ShannonPublication type:Essay
Whose Joke Is It Anyway? Originality and Theft in the World of Standup Comedy.Published in:2014By:Pate, GeorgePublication type:Essay
Rethinking Buenos Aires Theatre in the Wake of 2001 and Emerging Structures of Resistance and Resilience.Published in:2014By:Graham-Jones, JeanPublication type:Essay
Prostitutes, Nuns, Actresses: Breaking the Convent Wall in Seventeenth-Century Venice.Published in:2014By:Bhasin, Christine ScippaPublication type:Essay