INTRODUCTION: LOVE BEYOND THE ENDS: TEMPORAL EXPERIENCE OUT OF FORD AND CONRAD'S "CONTINUOUSLY DISCONTINUOUS" NARRATIVES.Published in:2013Publication type:Literary Criticism
PROLOGUE: A WILDERNESS TO HIMSELF: ILLUSTRATIONS AND ANALOGIES OF A (SOMETIME) PERSONAL ITINERARY.Published in:Costerus (New Series), 2013, v. 201, p. xiPublication type:Article
SUPERIMPOSED PASTS IN FORD'S FIFTH QUEEN TRILOGY: KATHARINE HOWARD AS FORD'S DIALECTICAL IMAGE.Published in:2013Publication type:Literary Criticism
TEMPORAL EXPERIENCE IN CONRAD'S NOSTROMO: A "TRUSTING" NARRATIVE.Published in:2013Publication type:Literary Criticism
CONCLUSION: RE-COGNITION AND THE SALUTARY WEIGHT OF (THE) OBJECT(IVITY).Published in:Costerus (New Series), 2013, v. 201, p. 199Publication type:Article
FORD'S PARADE'S END: FROM THE END AND THROUGH THE MIDDEST - A SURGEON ON TIME.Published in:2013Publication type:Literary Criticism
FORD'S THE GOOD SOLDIER AND THE METAPHORIZATION OF "DOWELL": A DIALECTICAL READING OF IMPRESSIONIST EQUIVOCATION.Published in:2013Publication type:Literary Criticism