Towards an (Aesth)etiquette of Torture: Polite Form in Zero Dark Thirty and Standard Operating Procedure.
- Published in:
- Film Criticism, 2017, v. 41, n. 1, p. 1, doi. 10.3998/fc.13761232.0041.110
- By:
- Publication type:
- Article
Works matching IS 01635069 AND DT 2017 AND VI 41 AND IP 1
Results: 11
1
2
New Cinema, New Critique: French Film Criticism at the Crossroads, 1960.
- Published in:
- Film Criticism, 2017, v. 41, n. 1, p. 1, doi. 10.3998/fc.13761232.0041.106
- By:
- Publication type:
- Article
3
I Saw, Therefore I Know? Alfred Hitchcock's The Wrong Man and the Epistemological Potential of the Photographic Image.
- Published in:
- Film Criticism, 2017, v. 41, n. 1, p. 1, doi. 10.3998/fc.13761232.0041.107
- By:
- Publication type:
- Article
4
Fassbinder's Mother Küsters Goes to Heaven (1975) in a Genealogy of the Arbeiter.
- Published in:
- Film Criticism, 2017, v. 41, n. 1, p. 1, doi. 10.3998/fc.13761232.0041.109
- By:
- Publication type:
- Article
5
Beyoncé’s Overwhelming Opus; or, the Past and Future of Music Video.
- Published in:
- Film Criticism, 2017, v. 41, n. 1, p. 1, doi. 10.3998/fc.13761232.0041.105
- By:
- Publication type:
- Article
6
At the Margins of the Bromance: A Queer Reading of The Hangover Part III and Its Promotional Materials.
- Published in:
- Film Criticism, 2017, v. 41, n. 1, p. 1, doi. 10.3998/fc.13761232.0041.111
- By:
- Publication type:
- Article
7
A Mood of Dissonance: Unpinning Ambiguity in Gus Van Sant’s Elephant.
- Published in:
- Film Criticism, 2017, v. 41, n. 1, p. 1, doi. 10.3998/fc.13761232.0041.108
- By:
- Publication type:
- Article
8
Looking Back: Versions of the Post-Apocalypse in Contemporary North-American Cinema.
- Published in:
- Film Criticism, 2017, v. 41, n. 1, p. 1, doi. 10.3998/fc.13761232.0041.102
- By:
- Publication type:
- Article
9
Koyaanisqatsi and the Posthuman Aesthetics of a Mechanical Stare.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
10
"I don't know who I am most of the time":Constructed Identity in Todd Haynes' I'm Not There.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
11
"Blinking and Thinking: The Embodied Perceptions of Presence and Remembrance in Gaspar Noe's Enter the Void".
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review