From Jean-Paul Belmondo to Stan Brakhage: Romanticism and Intertextuality in Irma Vep and Les Misérables.Published in:Film Criticism, 2002, v. 27, n. 1, p. 66By:Metz, WalterPublication type:Article
The Holocaust in the Text: Victor Hugo's Les Misérables and the Allegorical Film Adaptation.Published in:Film Criticism, 2002, v. 27, n. 1, p. 50By:Carr, Steven AlanPublication type:Article
"A Working Class Hero(ine) Is Something to Be": Affliction, The Dreamlife of Angels, and the Naturalist Tradition.Published in:Film Criticism, 2002, v. 27, n. 1, p. 36By:Orr, ChristopherPublication type:Article
Inverting French Heritage Cinema: Melville, Carax, and Pola X.Published in:Film Criticism, 2002, v. 27, n. 1, p. 20By:DeAngelis, MichaelPublication type:Article
Will There Ever Be a New French Cinema?Published in:Film Criticism, 2002, v. 27, n. 1, p. 5By:Herpe, NoëlPublication type:Article
Editor's Introduction.Published in:Film Criticism, 2002, v. 27, n. 1, p. 2By:Metz, WalterPublication type:Article