Selected Bibliography.
- Published in:
- 1999
- By:
- Publication type:
- Bibliography
Works matching IS 01635069 AND DT 1999 AND VI 23 AND IP 2/3
Results: 10
1
2
Trapped in a Tomb of Their Own Making: Max Ophuls's The Reckless Moment and Douglas Sirk's There's Always Tomorrow.
- Published in:
- Film Criticism, 1999, v. 23, n. 2/3, p. 150
- By:
- Publication type:
- Article
3
Sirk and the Figure of the Actress: All I Desire.
- Published in:
- Film Criticism, 1999, v. 23, n. 2/3, p. 136
- By:
- Publication type:
- Article
4
Sirk's Early Exile Films: Boefje and Hitler's Madman.
- Published in:
- Film Criticism, 1999, v. 23, n. 2/3, p. 122
- By:
- Publication type:
- Article
5
Sirk and the Culture Industry: Zu neuen Ufern and The First Legion.
- Published in:
- Film Criticism, 1999, v. 23, n. 2/3, p. 94
- By:
- Publication type:
- Article
6
Zarah Leander and Transgender Specularity.
- Published in:
- Film Criticism, 1999, v. 23, n. 2/3, p. 74
- By:
- Publication type:
- Article
7
A Sierckian Double Image: The Narration of Zarah Leander as a National Socialist Star.
- Published in:
- Film Criticism, 1999, v. 23, n. 2/3, p. 46
- By:
- Publication type:
- Article
8
The René Clair Moment and the Overlap Films of the Early 1930s: Detlef Sierck's April, April!
- Published in:
- 1999
- By:
- Publication type:
- Essay
9
From Detlef Sierck to Douglas Sirk.
- Published in:
- Film Criticism, 1999, v. 23, n. 2/3, p. 14
- By:
- Publication type:
- Article
10
Introduction.
- Published in:
- Film Criticism, 1999, v. 23, n. 2/3, p. 1
- By:
- Publication type:
- Article