Works matching IS 01635069 AND DT 1999 AND VI 23 AND IP 2/3
Results: 10
Selected Bibliography.
- Published in:
- 1999
- By:
- Publication type:
- Bibliography
Trapped in a Tomb of Their Own Making: Max Ophuls's The Reckless Moment and Douglas Sirk's There's Always Tomorrow.
- Published in:
- Film Criticism, 1999, v. 23, n. 2/3, p. 150
- By:
- Publication type:
- Article
Sirk and the Figure of the Actress: All I Desire.
- Published in:
- Film Criticism, 1999, v. 23, n. 2/3, p. 136
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- Publication type:
- Article
Sirk's Early Exile Films: Boefje and Hitler's Madman.
- Published in:
- Film Criticism, 1999, v. 23, n. 2/3, p. 122
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- Publication type:
- Article
Sirk and the Culture Industry: Zu neuen Ufern and The First Legion.
- Published in:
- Film Criticism, 1999, v. 23, n. 2/3, p. 94
- By:
- Publication type:
- Article
A Sierckian Double Image: The Narration of Zarah Leander as a National Socialist Star.
- Published in:
- Film Criticism, 1999, v. 23, n. 2/3, p. 46
- By:
- Publication type:
- Article
The René Clair Moment and the Overlap Films of the Early 1930s: Detlef Sierck's April, April!
- Published in:
- 1999
- By:
- Publication type:
- Essay
From Detlef Sierck to Douglas Sirk.
- Published in:
- Film Criticism, 1999, v. 23, n. 2/3, p. 14
- By:
- Publication type:
- Article
Introduction.
- Published in:
- Film Criticism, 1999, v. 23, n. 2/3, p. 1
- By:
- Publication type:
- Article
Zarah Leander and Transgender Specularity.
- Published in:
- Film Criticism, 1999, v. 23, n. 2/3, p. 74
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- Publication type:
- Article