INCOMPREHENSIBLE FROM WITHOUT: FOLK AUTHENTICITY AND THE FOREIGN PERSPECTIVE IN GOGOL'S, TURGENEV'S, AND TOLSTOY'S RUSSIAN SONGS.Published in:2014By:Walker, Joshua S.Publication type:Literary Criticism
FUTURISM AND PHONOLOGY: THE FUTURIST ROOTS OF JAKOBSON'S APP ROACH TO LANGUAGE.Published in:ULBANDUS, The Slavic Review of Columbia University, 2014, v. 16, p. 84By:Gasparov, BorisPublication type:Article
WILLIS OF OZ: HOW WILLIS CONOVER ENCHANTED THE THAW GENERATION OF POETS WITH HIS JAZZ HOUR RADIO PROGRAM.Published in:ULBANDUS, The Slavic Review of Columbia University, 2014, v. 16, p. 198By:Shohl Rosen, MargoPublication type:Article
MAKING DEALS IN THE PARADISE OF THIEVES: LEONID UTESOV, ARKADII SEVERNYI, AND BLATNAIA PESNIA.Published in:2014By:Pinkham, SophiePublication type:Essay
THE SEARCH FOR NARRATIVE CONTROL: MUSIC AND FEMALE SEXUALITY IN TOLSTOY'S FAMILY HAPPINESS AND THE KREUTZER SONATA.Published in:2014By:Dame, NataliaPublication type:Literary Criticism
PRODUCTIVE RHYTHMS: THE SOUNDS OF CHINA THROUGH SOVIET EARS.Published in:ULBANDUS, The Slavic Review of Columbia University, 2014, v. 16, p. 134By:Tyerman, EdwardPublication type:Article
PANTOMIMES OF POWER AND RACE: CAN THE SOCIALIST SUBALTERN SPEAK?Published in:2014By:Kayiatos, AnastasiaPublication type:Literary Criticism
RASKOLNIKOV'S AURAL CONVERSION: FROM HEARING TO LISTENING.Published in:2014By:Schümann, DanielPublication type:Literary Criticism
THE FROZEN DESERT AND THE CRYSTAL CITY: FIGURATIONS OF ALEXANDER SCRIABIN'S MUSIC IN EVGENII ZAMIATIN'S "THE CAVE" AND WE.Published in:2014By:Dimova, PolinaPublication type:Literary Criticism
EDITOR'S INTRODUCTION.Published in:ULBANDUS, The Slavic Review of Columbia University, 2014, v. 16, p. 1By:Myers, HollyPublication type:Article