Introduction to “Antagonism and Relational Aesthetics” by Clair Bishop.
- Published in:
- October, 2004, n. 110, p. 49, doi. 10.1162/octo.2004.110.1.49
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- Publication type:
- Article
Works matching IS 01622870 AND DT 2004
Results: 31
1
2
An Archival Impulse.
- Published in:
- October, 2004, n. 110, p. 3, doi. 10.1162/0162287042379847
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- Article
3
Should We Put an End to Projection?
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- October, 2004, n. 110, p. 23, doi. 10.1162/0162287042379838
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- Article
4
Antagonism and Relational Aesthetics.
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- October, 2004, n. 110, p. 51, doi. 10.1162/0162287042379810
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- Article
5
An Interview with Pierre Huyghe.
- Published in:
- 2004
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- Publication type:
- Interview
6
No Ghost.
- Published in:
- October, 2004, n. 110, p. 107, doi. 10.1162/0162287042379829
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- Article
7
The Music of His Music: Edward Said, 1936--2003.
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- October, 2004, n. 109, p. 143, doi. 10.1162/0162287041886548
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- Article
8
HIstory and Ambivalence in Hollis Frampton's Megellan.
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- October, 2004, n. 109, p. 119, doi. 10.1162/0162287041886539
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- Publication type:
- Article
9
Hidden Noise: Strategies of Sound Montage in the Future of Hollis Frampton.
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- October, 2004, n. 109, p. 96, doi. 10.1162/0162287041886502
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- Article
10
Words into Film: Toward a Genealogical Understanding of Hollis Frampton's Theory and Practice.
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- October, 2004, n. 109, p. 77, doi. 10.1162/0162287041886494
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- Article
11
The Invention Without a Future.
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- October, 2004, n. 109, p. 64, doi. 10.1162/0162287041886520
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- Article
12
They Might Be Giants: Carleton Watkins, Galen Clark, and the Big Tree.
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- October, 2004, n. 109, p. 46, doi. 10.1162/0162287041886476
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- Article
13
Room-for-Play: Benjamin's Gamble with Cinema.
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- October, 2004, n. 109, p. 3, doi. 10.1162/0162287041886511
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- Article
14
Stan Brakhage (1933-2003).
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- October, 2004, n. 108, p. 112, doi. 10.1162/016228704774115744
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- Article
15
Eichmann in New York: The New York Intellectuals and the Hannah Arendt Controversy.
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- October, 2004, n. 108, p. 97, doi. 10.1162/016228704774115735
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- Article
16
Of the Public Born: Raymond Harris and La France déchirée.
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- 2004
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- Arts/Entertainment Review
17
Jean Fautrier's Jolies Juives.
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- October, 2004, n. 108, p. 50, doi. 10.1162/016228704774115717
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- Article
18
Barnett Newman's Stations and the Memory of the Holocaust.
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- October, 2004, n. 108, p. 35, doi. 10.1162/016228704774115708
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- Article
19
On Two Paintings by Barnett Newman.
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- October, 2004, n. 108, p. 3, doi. 10.1162/016228704774115690
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- Article
20
Gestalt and Concept (Excerpts).
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- October, 2004, n. 107, p. 169, doi. 10.1162/016228704322790999
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- Article
21
Notes on Cubism.
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- October, 2004, n. 107, p. 158, doi. 10.1162/016228704322790980
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- Article
22
Critical Dictionary: "Nightingale" The Etchings of Hercules Seghers.
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- October, 2004, n. 107, p. 151, doi. 10.1162/016228704322790962
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- Article
23
Methodological Aphorisms.
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- October, 2004, n. 107, p. 146, doi. 10.1162/016228704322790953
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- Article
24
Revolution Smashes Through History and Tradition.
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- October, 2004, n. 107, p. 139, doi. 10.1162/016228704322790944
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- Article
25
Negro Sculpture.
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- October, 2004, n. 107, p. 122
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- Article
26
Totality.
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- October, 2004, n. 107, p. 115, doi. 10.1162/016228704322790926
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- Article
27
Rock Paper Scissors.
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- October, 2004, n. 107, p. 95, doi. 10.1162/016228704322790917
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- Article
28
"Painting as a Language. Why Not?" Carl Einstein in Documents.
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- October, 2004, n. 107, p. 75, doi. 10.1162/016228704322790908
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- Article
29
Reproduction/Repetition: Walter Benjamin/Carl Einstein.
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- October, 2004, n. 107, p. 47, doi. 10.1162/016228704322790890
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- Article
30
Totality Against a Subject: Carl Einstein's Negerplastik.
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- October, 2004, n. 107, p. 14, doi. 10.1162/016228704322790881
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- Article
31
Introduction.
- Published in:
- October, 2004, n. 107, p. 3, doi. 10.1162/016228704322790872
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- Publication type:
- Article