Yalı mise-en-scene and frontality: an infrastructural take on dizi aesthetics.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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- Article
Works matching IS 01465546 AND DT 2023
Results: 47
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White mansions, black bodies: Get Out and the New Age slave plantation.
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What's in a name? A forum on the past, present, and potential futures of nontheatrical media studies.
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The many lives of Behzat Ç. -- the text's transformation and its contexts of production.
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5
The last word: AI musings.
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6
Family entertainers and Malayalam cinema's encounters with fascism: reading the films of Sathyan Anthikad.
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7
Teaching (anti-)police media.
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8
Suicide or genocide? Policing the womb and killing the carceral state.
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9
Shashat Woman Cinema: the collective memory of 12 years of women filmmakers in the Gaza Strip.
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10
Series TV after the deluge: the vaster wasteland.
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11
Resilience under fire: Gaza on film, video and television.
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12
Visual outlaw: the disruptive history of Bombay cinema.
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13
Ecomedia as performance/ecomedia as carbon giant.
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14
Getting by and passing time.
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15
There is no AI.
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16
Global media studies on demand.
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17
Poetry for Gaza.
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18
Pinning down George Floyd: punitive mapping and its counter-imagination.
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19
Pictorial storytelling and staging in Ann Hui's The Way We Are.
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20
Notes on visuality and the Policing Complex.
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21
Notes on ‘Third Cinema as guardian of popular memory': an Indian context.
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22
New directions in Turkish television dramasa.
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23
Mourning and occasions of excess: melodramatic transgressions in contemporary Malayalam cinema.
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24
Media and the police state: defining the contemporary police state.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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25
What is Netflix anyway? Not television.
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26
Law and disorder: the police and policing in Tamil Nadu.
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27
Introduction: Seeing Gaza differently.
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28
Gaza screened.
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29
Film as witness to history: the dismantling of Jewish settlements in Gaza.
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30
Extreme dizi-ness: stretching the bounds of genre in (New?) Turkish television.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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31
Everything just goes black: time, melodrama, and narrative incompleteness in The Sopranos.
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32
Musings on film theory.
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33
Embodied allegory in Sorry to Bother You: art, performance and movement in neoliberal capitalist ruins.
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34
Collaborative filmmaking for socio-political transformation in Colombia: a decolonial perspective.
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35
Between panopticon and synotpicon in the late period films of Stéphane Brizé.
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36
Ambivalent cops and institutional eyes: the neoliberal police state in Japanese animation.
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37
"Woman, Life, Freedom"--a feminist revolution against police atrocity.
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38
"True" Crime and the appropriation of state-recorded surveillance images in American Murder: The Family Next Door (2020).
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39
The Woman King: a disruptive, unruly site of countervisuality.
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40
RRR: rebellious heroes, roaring stars, and myth-making.
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41
Meishi Street as an under-directed documentary.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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42
"LET GO OF WHAT DOESN'T SERVE YOU." The abolitionist cultural work of Melanie Cervantes.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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43
Killing Gaza 2.0.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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44
"I am the golden god!" Deconstructing white urban masculinity in It's Always Sunny in Philadelphia.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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45
Ecocinema Theory and Practice 2.
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46
Disco Elysium and the intersection of interactivity and interpassivity.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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47
Gaza Ghetto: How to make a film under military occupation.
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