Works matching IS 01465546 AND DT 2023
Results: 47
Yalı mise-en-scene and frontality: an infrastructural take on dizi aesthetics.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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White mansions, black bodies: Get Out and the New Age slave plantation.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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What's in a name? A forum on the past, present, and potential futures of nontheatrical media studies.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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The many lives of Behzat Ç. -- the text's transformation and its contexts of production.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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The last word: AI musings.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Family entertainers and Malayalam cinema's encounters with fascism: reading the films of Sathyan Anthikad.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Teaching (anti-)police media.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Suicide or genocide? Policing the womb and killing the carceral state.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Shashat Woman Cinema: the collective memory of 12 years of women filmmakers in the Gaza Strip.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Series TV after the deluge: the vaster wasteland.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Resilience under fire: Gaza on film, video and television.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Visual outlaw: the disruptive history of Bombay cinema.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Ecomedia as performance/ecomedia as carbon giant.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Getting by and passing time.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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There is no AI.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Global media studies on demand.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Poetry for Gaza.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Pinning down George Floyd: punitive mapping and its counter-imagination.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Pictorial storytelling and staging in Ann Hui's The Way We Are.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Notes on visuality and the Policing Complex.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Notes on ‘Third Cinema as guardian of popular memory': an Indian context.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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New directions in Turkish television dramasa.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Mourning and occasions of excess: melodramatic transgressions in contemporary Malayalam cinema.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Media and the police state: defining the contemporary police state.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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What is Netflix anyway? Not television.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Law and disorder: the police and policing in Tamil Nadu.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Introduction: Seeing Gaza differently.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Gaza screened.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Film as witness to history: the dismantling of Jewish settlements in Gaza.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Extreme dizi-ness: stretching the bounds of genre in (New?) Turkish television.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Everything just goes black: time, melodrama, and narrative incompleteness in The Sopranos.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Musings on film theory.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Embodied allegory in Sorry to Bother You: art, performance and movement in neoliberal capitalist ruins.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Collaborative filmmaking for socio-political transformation in Colombia: a decolonial perspective.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Between panopticon and synotpicon in the late period films of Stéphane Brizé.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Ambivalent cops and institutional eyes: the neoliberal police state in Japanese animation.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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"Woman, Life, Freedom"--a feminist revolution against police atrocity.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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"True" Crime and the appropriation of state-recorded surveillance images in American Murder: The Family Next Door (2020).
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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The Woman King: a disruptive, unruly site of countervisuality.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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RRR: rebellious heroes, roaring stars, and myth-making.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Meishi Street as an under-directed documentary.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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"LET GO OF WHAT DOESN'T SERVE YOU." The abolitionist cultural work of Melanie Cervantes.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Killing Gaza 2.0.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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"I am the golden god!" Deconstructing white urban masculinity in It's Always Sunny in Philadelphia.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Ecocinema Theory and Practice 2.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Disco Elysium and the intersection of interactivity and interpassivity.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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Gaza Ghetto: How to make a film under military occupation.
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- Jump Cut: A Review of Contemporary Media, 2023, n. 62, p. 1
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