With people as their unique selves: Jack Smith's theory of visual expression.
- Published in:
- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 53
- By:
- Publication type:
- Article
Works matching IS 01465546 AND DT 2022
Results: 53
1
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The Cinema of Sara Gómez: Reframing Revolution.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 52
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- Article
3
Marxism Goes to the Movies/Marxist Film Theory and Fight Club.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 51
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- Article
4
Warmi: the first Peruvian women-led film collective.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 50
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- Article
5
Feminist Art and Media in Post-1968 Mexico City.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 49
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- Article
6
Insurgent Media from the Front: A Media Activism Reader.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 48
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- Article
7
Unmaking Bollywood: style and the political in Made in Heaven.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 47
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- Article
8
The Women's Film Project: an international collective in the career of Helena Solberg.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 46
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- Article
9
The last word: keywords.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 45
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10
The first word: another playlist.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 44
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- Article
11
The fault does not lie in the stars. Indian Matchmaking and gender representations.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 43
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- Article
12
Sunny Leone's amazing grace: on what it means for a porn star to be a mainstream movie star.
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- 2022
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- Publication type:
- Product Review
13
Screen/dance in the United States: engaging the moving bodies in moving pictures.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 41
- Publication type:
- Article
14
Roundtable with visual artists: Afroféminas / Colectiva Lemow / Trenzar Perú.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 40
- Publication type:
- Article
15
Theorizing Colonial Cinema: Reframing Production, Circulation, and Consumption of Film in Asia.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 39
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- Publication type:
- Article
16
The Oxford Handbook of Queer Cinema.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 38
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- Article
17
Queer Representations in Chinese-Language Film and the Cultural Landscape.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 37
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- Article
18
Slow Disturbance: Infrastructural Mediation on the Settler Colonial Resource Frontier.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 36
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- Article
19
Questions of counter cinema and Sally Potter's YES.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 35
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- Article
20
Psychedelic soldiers and tragic surfers: John Milius' "Apocalypse Now" (1969).
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 34
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- Article
21
Latin American feminist film and visual art collectives.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 27
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22
Queer Times, Black Futures.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 33
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- Article
23
The Transformative Power of Performance.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 31
- Publication type:
- Article
24
El asombro y la audacia. El cine de María Luisa Bemberg/La experiencia del cine de Lucrecia Martel/Una mirada oblicua: El cine de Valeria Sarmiento.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 30
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- Article
25
The Process Genre: Cinema and the Aesthetic of Labor.
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- 2022
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- Publication type:
- Product Review
26
Nosotras, las otras: We, the other women.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 28
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- Article
27
Perspectives dialectically intersected: the Mexican audio-visual collective Los Ingrávidos and its film Coyolxauhqui (2017).
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 32
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28
LASTESIS' transnational monster.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 26
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- Article
29
"I want a game with many winners." A conversation with Brewster Kahle.
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- 2022
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- Publication type:
- Interview
30
Hidden fat shaming in Dum Laga ke Haisha.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 24
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31
Grounded abstractions: an interview with Conor McNally.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 23
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32
Give us our bread and our roses: a materialist trans feminist approach to media.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 22
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33
For a Marxist critique of media in the contemporary conjuncture.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 21
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34
Dancing Women: Choreographing Corporeal Histories of Hindi Cinema.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 20
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35
Disruptive nationalisms: aesthetics, markets, and the anti-audience of Black media.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 19
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36
Contemporary television and racial capitalism in place.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 18
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37
Bodily fluid: the movement of Bollywood dance from body to body.
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- 2022
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- Publication type:
- Product Review
38
Automatic bodies: masculinities, mobilities, nation, and the Bollywood body.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 16
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39
Art, activism, sales calls, and slave labor: dialectics in Sorry to Bother You.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 15
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40
An exploration of intersex characters in Indian cinema.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 14
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41
A woman for two pennies: the portrayal of women and changing social constructs of gender in Pakistani TV drama.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 13
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- Article
42
A note on content in poor cinema--critical attractions in Jacob Holdt's American Pictures.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 12
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- Article
43
Umbartha and Fire: when women turn to each other to satisfy their needs.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 11
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- Article
44
Gangubai Kathiawadi -- an unconventional Bombay biopic with a sex worker as hero.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 5
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- Publication type:
- Article
45
Rompiendo puertas / Break and Enter (1971) Residential autonomy: economies of dispossession and their undoing.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 9
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- Article
46
"Once you're in, there's no way out." Tehran and the politics of erasure.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 8
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- Publication type:
- Article
47
Is It Too Much to Ask? -- tenancy, transphobia, and Tamil society.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 7
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- Publication type:
- Article
48
"I am a statistic": engineering counterinsurgency against the Welfare Rights Movement.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 6
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- Publication type:
- Article
49
The Eighteenth Brumaire of Patricio Guzmán: lessons from The Battle of Chile (1975-9).
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 10
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- Publication type:
- Article
50
Daaera: forbidden love and the sensorium of desire in Bombay cinema.
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- Jump Cut: A Review of Contemporary Media, 2022, n. 61, p. 4
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- Publication type:
- Article