Philip Guston Now.
- Published in:
- 2021
- By:
- Publication type:
- Book Review
Works matching IS 01426540 AND DT 2021 AND VI 44 AND IP 1
Results: 14
1
2
Abstracts.
- Published in:
- 2021
- Publication type:
- Abstract
3
Notes on Contributors.
- Published in:
- Oxford Art Journal, 2021, v. 44, n. 1, p. 179, doi. 10.1093/oxartj/kcab022
- Publication type:
- Article
4
Making a Scene.
- Published in:
- 2021
- By:
- Publication type:
- Book Review
5
Art Collectives, Progress, and Forgetting in European Art after WWII.
- Published in:
- 2021
- By:
- Publication type:
- Book Review
6
Pulverized Regions of Time.
- Published in:
- 2021
- By:
- Publication type:
- Book Review
7
Eloquence and Affect in Jacqueline Jung's Eloquent Bodies.
- Published in:
- 2021
- By:
- Publication type:
- Book Review
8
Fernand Léger's Cinema of Pictorial Equivalence (and the Return to Disorder).
- Published in:
- Oxford Art Journal, 2021, v. 44, n. 1, p. 67, doi. 10.1093/oxartj/kcaa035
- By:
- Publication type:
- Article
9
Thomas Cole's Double View of Mount Holyoke.
- Published in:
- Oxford Art Journal, 2021, v. 44, n. 1, p. 87, doi. 10.1093/oxartj/kcaa034
- By:
- Publication type:
- Article
10
'A Show Opened to All Artists': The 1970 Liberated Venice Biennale and the Production of Dissent.
- Published in:
- Oxford Art Journal, 2021, v. 44, n. 1, p. 125, doi. 10.1093/oxartj/kcaa033
- By:
- Publication type:
- Article
11
'Here, in Her Hairs/The Painter Plays the Spider ...': Spider Metaphors in William Shakespeare and Nicholas Hilliard.
- Published in:
- Oxford Art Journal, 2021, v. 44, n. 1, p. 23, doi. 10.1093/oxartj/kcaa032
- By:
- Publication type:
- Article
12
Passionate Detachment.
- Published in:
- Oxford Art Journal, 2021, v. 44, n. 1, p. 47, doi. 10.1093/oxartj/kcaa031
- By:
- Publication type:
- Article
13
'With a Hem, Call Him In': Human Authority and the Animal Gaze in the Flemish Trophy Piece.
- Published in:
- Oxford Art Journal, 2021, v. 44, n. 1, p. 1, doi. 10.1093/oxartj/kcaa030
- By:
- Publication type:
- Article
14
Rock-Bound: Fitz Henry Lane in 1862.
- Published in:
- Oxford Art Journal, 2021, v. 44, n. 1, p. 105, doi. 10.1093/oxartj/kcaa029
- By:
- Publication type:
- Article