Warburg's Positivism: Confessions of a Truffle Pig.
- Published in:
- Oxford Art Journal, 2018, v. 41, n. 3, p. 361, doi. 10.1093/oxartj/kcy019
- By:
- Publication type:
- Article
Works matching IS 01426540 AND DT 2018 AND VI 41 AND IP 3
Results: 9
1
2
Visualising the Home Front: Evelyn Dunbar and Wartime Citizenship.
- Published in:
- Oxford Art Journal, 2018, v. 41, n. 3, p. 341, doi. 10.1093/oxartj/kcy018
- By:
- Publication type:
- Article
3
Notes on Contributors.
- Published in:
- Oxford Art Journal, 2018, v. 41, n. 3, p. 439, doi. 10.1093/oxartj/kcy024
- Publication type:
- Article
4
Minimalism Forever.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
5
Indiscernibly Bad: The Problem of Bad Painting/Good Art.
- Published in:
- Oxford Art Journal, 2018, v. 41, n. 3, p. 321, doi. 10.1093/oxartj/kcy017
- By:
- Publication type:
- Article
6
And Back Again.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
7
Abstracts.
- Published in:
- 2018
- Publication type:
- Abstract
8
'You speak of things that haven't happened yet in the past-tense': John Divola's Los Angeles.
- Published in:
- Oxford Art Journal, 2018, v. 41, n. 3, p. 403, doi. 10.1093/oxartj/kcy021
- By:
- Publication type:
- Article
9
'Immersed in Time': Medardo Rosso and the originality of photomechanical reproduction.
- Published in:
- Oxford Art Journal, 2018, v. 41, n. 3, p. 381, doi. 10.1093/oxartj/kcy020
- By:
- Publication type:
- Article