The Intellectual and the Fool: Piero Manzoni between the Milanese Art Scene and the Land of Cockaigne.
- Published in:
- Oxford Art Journal, 2012, v. 35, n. 1, p. 75, doi. 10.1093/oxartj/kcs004
- By:
- Publication type:
- Article
Works matching IS 01426540 AND DT 2012 AND VI 35 AND IP 1
Results: 9
1
2
The Riddle of May '68: Collectivity and Protest in the Salon de la Jeune Peinture.
- Published in:
- Oxford Art Journal, 2012, v. 35, n. 1, p. 53, doi. 10.1093/oxartj/kcs003
- By:
- Publication type:
- Article
3
Indifference of Material in the Work of Carl Andre and Robert Smithson.
- Published in:
- 2012
- By:
- Publication type:
- Essay
4
Unnatural Appetites: Sodomitical Panic in Hogarth's The Gate of Calais, or, O the Roast Beef of Old England (1748).
- Published in:
- Oxford Art Journal, 2012, v. 35, n. 1, p. 19, doi. 10.1093/oxartj/kcs002
- By:
- Publication type:
- Article
5
Oldenburg's Moveyhouse: Performing a Cinema without Film.
- Published in:
- 2012
- By:
- Publication type:
- Essay
6
Is Contemporary Art History?
- Published in:
- 2012
- By:
- Publication type:
- Book Review
7
Environmentalist Desire.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
8
The Centre Is the Biggest Hole?
- Published in:
- 2012
- By:
- Publication type:
- Book Review
9
The Incomplete, Total Work of Modernism.
- Published in:
- 2012
- By:
- Publication type:
- Book Review