A World History of Art/Art A History of Changing Style/Looking at Pictures (Cambridge Introduction to the History of Art)/Greece and Rome (Cambridge Introduction to the History of Art).Published in:1984By:Cunningham, PeterPublication type:Book Review
Pioneers of Soviet Photography 1917-1940, Grigory Shudakov.Published in:1984By:Elliot, DavidPublication type:Book Review
Masters of Seventeenth-century Dutch Genre the Seveteenth Centruy.Published in:1984By:Ford, CharlesPublication type:Book Review
How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom and the cold War, Serge Guibaut.Published in:1984By:Steyn, JulietPublication type:Book Review
Barnett Newman and the Sublime.Published in:Oxford Art Journal, 1984, v. 7, n. 2, p. 52, doi. 10.1093/oxartj/7.2.52By:Crowther, PaulPublication type:Article
O. G. Rejlander's Photographs of Street Urchins.Published in:Oxford Art Journal, 1984, v. 7, n. 2, p. 17, doi. 10.1093/oxartj/7.2.17By:Spencer, StephaniePublication type:Article
Democratising Glory? The Victoria Cross Paintings of Louis Desanges.Published in:1984By:Hichnerger, JoanyPublication type:Book Review
Ruskin and Photography.Published in:Oxford Art Journal, 1984, v. 7, n. 2, p. 25, doi. 10.1093/oxartj/7.2.25By:Harvey, MichaelPublication type:Article
Veins of Resemblance: Photography and Eugenics.Published in:Oxford Art Journal, 1984, v. 7, n. 2, p. 3, doi. 10.1093/oxartj/7.2.3By:Green, DavidPublication type:Article
'Questions qui relèvant d'une métaphysique "bête", ou simple': a critique of La Chambre claire.Published in:1984By:Miller, ChristopherPublication type:Book Review