'Painting like nature': Chance and the Landscape in Gerhard Richter's Overpainted Photographs.Published in:2017By:Guillermet, AlinePublication type:Essay
Currency from Opinion: Imitation Banknotes and the Materiality of Paper Currency in Britain, 1782-1847.Published in:2017By:Lahikainen, AmandaPublication type:Essay
'A Kind of Mental Explosion': Modernism's Other Worlds.Published in:2017By:de Mille, CharlottePublication type:Book Review
Crafting Boundaries of the Unseeable World: Dialectics of Space in the Bhagavat Sutra Repository.Published in:2017By:Hong, JeeheePublication type:Essay
Against the 'Statue Anatomized': The 'Art' of Eighteenth-Century Anatomy on Trial.Published in:2017By:Massey, LylePublication type:Essay
In the Aura of the Object: Modernity's Re-Enchantment.Published in:2017By:Atkin, WillPublication type:Book Review
A Psalm for King James: Rubens's Peace Embracing Plenty and the Virtues of Female Affection at Whitehall.Published in:2017By:Lyon, J. VanessaPublication type:Essay
Composing the Spectacle: Colonial Portraiture and the Coronation Durbars of British India, 1877-1911.Published in:Art History, 2017, v. 40, n. 1, p. 132, doi. 10.1111/1467-8365.12233By:Willcock, SeanPublication type:Article
Leverage on a Nineteenth-Century Maverick: Henri Regnault.Published in:2017By:Green, AnnaPublication type:Book Review