Redefining the Altarpiece in Renaissance Italy: Giotto's Stigmatization of Saint Francis and its Pisan Context.Published in:Art History, 2013, v. 36, n. 4, p. 686, doi. 10.1111/1467-8365.12030By:Cooper, DonalPublication type:Article
Traumatic Subjectivity and the Continuum of History: Hermann Nitsch's Orgies Mysteries Theater.Published in:2013By:Jarosi, SusanPublication type:Essay
'Sparks Set in Gold': A New History of Jewellery.Published in:2013By:McNeil, PeterPublication type:Book Review
Conflict and Consolation: British Art and the First World War, 1914-1919.Published in:2013By:Fox, JamesPublication type:Essay
In Search of Lost Time: Greek Sculpture and Display in Late Nineteenth-Century England.Published in:2013By:Hatt, MichaelPublication type:Essay
Nakedness and Other Peoples: Rethinking the Italian Renaissance Nude.Published in:2013By:Burke, JillPublication type:Essay
The Ambivalence of Ornament: Silhouette Advertisements in Print and Film in Early Twentieth-Century Germany.Published in:2013By:Cowan, MichaelPublication type:Essay
'The fault of being purely French': The Practice and Theory of Landscape Painting in Post-Revolutionary France.Published in:2013By:Adams, StevenPublication type:Essay
Mapping Ethnography in Early Modern Germany.Published in:2013By:Davies, SurekhaPublication type:Book Review