Ford Madox Brown: Subversive Pioneer?Published in:2013By:Johnson, LucettaPublication type:Arts/Entertainment Review
Burnout: Liam Gillick's Post-Fordist Aesthetics.Published in:2013By:Roberts, BillPublication type:Essay
From Painting to Performance: Figuring the Abstract in Los Angeles Art.Published in:2013By:Curtis, HarrietPublication type:Book Review
Invention and Sexuality in the Raphael Workshop: Before the Modi.Published in:2013By:Turner, James GranthamPublication type:Essay
Revisions and Projections: Two Recent Accounts of America's Twentieth-Century Vanguards.Published in:2013By:Robbins, Christa NoelPublication type:Book Review
'(Un)richtige Aufnahme': Renaissance Sculpture and the Visual Historiography of Art History.Published in:2013By:Johnson, Geraldine A.Publication type:Essay
Women Artists and the Surrealist Movement in the United States and Mexico.Published in:2013By:Malloy, Vanja V.Publication type:Book Review
A 'Lavender Talent' or 'The Most Important Woman Painter in Europe'? Reassessing Vanessa Bell.Published in:2013By:Brockington, GracePublication type:Essay
Shiraga Kazuo: The Hero and Concrete Violence.Published in:2013By:Kunimoto, NamikoPublication type:Essay
State of Play: Visual Culture and Music.Published in:2013By:Shaw-Miller, SimonPublication type:Book Review
How One Should Photograph Sculpture.Published in:2013By:Wölfflin, Heinrich;Johnson, Geraldine A.Publication type:Essay
Genevieve Warwick and Natalie Adamson.Published in:Art History, 2013, v. 36, n. 1, p. 8, doi. 10.1111/1467-8365.12004Publication type:Article