Looking Back at Zoffany.Published in:Art History, 2012, v. 35, n. 4, p. 844, doi. 10.1111/j.1467-8365.2012.00920.xBy:Cole, GeorginaPublication type:Article
Clones for a Queer Nation: George Segal's Gay Liberation and Temporality.Published in:2012By:Thompson, Margo HobbsPublication type:Essay
Elizabeth Eastlake's History of our Lord as exemplified in works of art:Theology, Art and Aesthetic Reaction.Published in:2012By:Ernstrom, Adele M.Publication type:Literary Criticism
'It Belonged to Time Now': Modernizing Britain in the Twentieth Century.Published in:2012By:Mille, CharlottePublication type:Book Review
Contemporary Book Art in the Middle East: The Book as Document in Iraq.Published in:2012By:Mejcher-Atassi, SonjaPublication type:Essay
Substitution and Subversion: Two Paths through the Renaissance.Published in:2012By:Hunt, KatherinePublication type:Book Review
Vico, Virginia Woolf and Adrian Stokes's Autobiographies: Fantasy, Providence and Isolation in Post-War British Aesthetics.Published in:2012By:Read, RichardPublication type:Essay
The Carte de Visite in the 1860s and the Serial Dynamic of Photographic Likeness.Published in:2012By:Perry, LaraPublication type:Essay
'Peculiar circumstances of the land': Artists and Models in Nineteenth-Century Brazilian Slave Society.Published in:2012By:Williams, DarylePublication type:Essay
Trash Talking: Yoruba Art beyond Beauty.Published in:2012By:Cowcher, KatePublication type:Book Review