Relocating Photographies, Histories and Modernisms.Published in:2011By:Edwards, ElizabethPublication type:Book Review
Metamorphosis in 391: A Cryptographic Collaboration by Francis Picabia, Man Ray, and Erik Satie.Published in:Art History, 2011, v. 34, n. 1, p. 102, doi. 10.1111/j.1467-8365.2010.00803.xBy:Allan, Kenneth R.Publication type:Article
Reinventing and Reinterpreting Christ's Passion.Published in:2011By:Bale, AnthonyPublication type:Book Review
'Embryonic Phantoms': Materiality, Marginality and Modernity in Whistler's Black Portraits.Published in:Art History, 2011, v. 34, n. 1, p. 80, doi. 10.1111/j.1467-8365.2010.00802.xBy:Shirland, JonathanPublication type:Article
Cardinals Reclaimed: Patrons and Artists Revisited.Published in:2011By:Ditchfield, SimonPublication type:Book Review
'... con uno inbasamento et ornamento alto': The Rhetoric of the Pedestal c. 1430-1550.Published in:2011By:Wright, AlisonPublication type:Essay
The Idea of a Scientific Discipline: Rudolf von Eitelberger and the Emergence of Art History in Vienna, 1847-1873.Published in:2011By:Rampley, MatthewPublication type:Essay
Writing against Historicism: Accounting for Modernism in India.Published in:2011By:Zitzewitz, KarinPublication type:Book Review
'I am a native, rooted here': Benjamin Britten, Samuel Palmer and the Neo-Romantic Pastoral.Published in:2011By:Barringer, TimPublication type:Essay