Politics and Piety: Locating Simone Martini's Saint Louis of Toulouse Altarpiece.Published in:Art History, 2010, v. 33, n. 4, p. 596, doi. 10.1111/j.1467-8365.2010.00768.xBy:Norman, DianaPublication type:Article
The Pragmatics of Page Design in Nineteenth-Century General-Interest Weekly Illustrated News Magazines in London and Paris.Published in:2010By:Gretton, TomPublication type:Essay
Inventing the Gothic Portal: Suger, Hugh of Saint Victor, and the Construction of a New Public Art at Saint-Denis.Published in:Art History, 2010, v. 33, n. 4, p. 568, doi. 10.1111/j.1467-8365.2010.00767.xBy:Rudolph, ConradPublication type:Article
Living Statues: Alfred Gell's Art and Agency, Living Presence Response and the Sublime.Published in:Art History, 2010, v. 33, n. 4, p. 642, doi. 10.1111/j.1467-8365.2010.00756.xBy:van Eck, CarolinePublication type:Article
A Revolutionary New Look at the Arts of Spain’s Golden Age.Published in:2010By:Bailey, Gauvin AlexanderPublication type:Book Review
Fashioning the poor in sixteenth-century Europe.Published in:2010By:Higginson, PeterPublication type:Book Review
Poussin, Gombauld, and the Creation of Diana and Endymion.Published in:2010By:Thomas, TroyPublication type:Essay
‘Great and Noble Ideas of the Moral Kind’: Wright of Derby and the Scientific Sublime.Published in:Art History, 2010, v. 33, n. 4, p. 660, doi. 10.1111/j.1467-8365.2010.00779.xBy:Duro, PaulPublication type:Article