Works matching IS 01416790 AND DT 2010 AND VI 33 AND IP 2
Results: 14
The Visual Arts and the Theatre in Early Modern Europe.
- Published in:
- Art History, 2010, v. 33, n. 2, p. 208, doi. 10.1111/j.1467-8365.2010.00738.x
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- Publication type:
- Article
‘Theatricality’ in Tapestries and Mystery Plays and its Afterlife in Painting.
- Published in:
- Art History, 2010, v. 33, n. 2, p. 224, doi. 10.1111/j.1467-8365.2010.00739.x
- By:
- Publication type:
- Article
Making the Most of Theatre and Painting: The Power of Tableaux Vivants in Joyous Entries from the Southern Netherlands (1458–1635).
- Published in:
- Art History, 2010, v. 33, n. 2, p. 236, doi. 10.1111/j.1467-8365.2010.00740.x
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- Publication type:
- Article
Parrhasios and the Stage Curtain: Theatre, Metapainting and the Idea of Representation in the Seventeenth Century.
- Published in:
- Art History, 2010, v. 33, n. 2, p. 248, doi. 10.1111/j.1467-8365.2010.00741.x
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- Publication type:
- Article
In Front of the Work of Art: The Question of Pictorial Theatricality in Italian Art, 1400–1700.
- Published in:
- Art History, 2010, v. 33, n. 2, p. 262, doi. 10.1111/j.1467-8365.2010.00742.x
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- Publication type:
- Article
Staging Bianca Capello: Painting and Theatricality in Sixteenth-Century Venice.
- Published in:
- Art History, 2010, v. 33, n. 2, p. 278, doi. 10.1111/j.1467-8365.2010.00743.x
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- Publication type:
- Article
The Performing Venue: The Visual Play of Italian Courtly Theatres in the Sixteenth Century.
- Published in:
- Art History, 2010, v. 33, n. 2, p. 292, doi. 10.1111/j.1467-8365.2010.00744.x
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- Publication type:
- Article
Dancing Statues and the Myth of Venice: Ancient Sculpture on the Opera Stage.
- Published in:
- Art History, 2010, v. 33, n. 2, p. 304, doi. 10.1111/j.1467-8365.2010.00745.x
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- Publication type:
- Article
How to Become a Picture: Theatricality as Strategy in Seventeenth-Century Dutch Portraits.
- Published in:
- Art History, 2010, v. 33, n. 2, p. 320, doi. 10.1111/j.1467-8365.2010.00746.x
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- Publication type:
- Article
Staging Ruins: Paestum and Theatricality.
- Published in:
- Art History, 2010, v. 33, n. 2, p. 334, doi. 10.1111/j.1467-8365.2010.00747.x
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- Publication type:
- Article
Oprar sempre come in teatro: The Rome of Alexander VII as the Theatre of Papal Self-Representation.
- Published in:
- Art History, 2010, v. 33, n. 2, p. 352, doi. 10.1111/j.1467-8365.2010.00748.x
- By:
- Publication type:
- Article
Ut pictura hortus/ut theatrum hortus: Theatricality and French Picturesque Garden Theory (1771–95).
- Published in:
- Art History, 2010, v. 33, n. 2, p. 364, doi. 10.1111/j.1467-8365.2010.00749.x
- By:
- Publication type:
- Article
‘What do I See?’ The Order of Looking in Lessing's Emilia Galotti.
- Published in:
- Art History, 2010, v. 33, n. 2, p. 378, doi. 10.1111/j.1467-8365.2010.00750.x
- By:
- Publication type:
- Article
Abstracts & Authors' Biographies.
- Published in:
- 2010
- Publication type:
- Abstract