INTRODUCTION: PHOTOGRAPHY AFTER CONCEPTUAL ART.
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- Art History, 2009, v. 32, n. 5, p. 825, doi. 10.1111/j.1467-8365.2009.00706.x
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Works matching IS 01416790 AND DT 2009 AND VI 32 AND IP 5
Results: 12
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AUTO-MATICITY: RUSCHA AND PERFORMATIVE PHOTOGRAPHY.
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- Art History, 2009, v. 32, n. 5, p. 836, doi. 10.1111/j.1467-8365.2009.00707.x
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- Article
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ED RUSCHA, HEIDEGGER, AND DEADPAN PHOTOGRAPHY.
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- Art History, 2009, v. 32, n. 5, p. 852, doi. 10.1111/j.1467-8365.2009.00708.x
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- Article
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SUBJECT, OBJECT, MIMESIS: THE AESTHETIC WORLD OF THE BECHERS' PHOTOGRAPHY.
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- Art History, 2009, v. 32, n. 5, p. 874, doi. 10.1111/j.1467-8365.2009.00709.x
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- Article
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EXIT GHOST: DOUGLAS HUEBLER'S FACE VALUE.
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- Art History, 2009, v. 32, n. 5, p. 894, doi. 10.1111/j.1467-8365.2009.00710.x
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- Article
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PRODUCTIVE MISUNDERSTANDINGS: INTERPRETING MEL BOCHNER'S THEORY OF PHOTOGRAPHY.
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- Art History, 2009, v. 32, n. 5, p. 910, doi. 10.1111/j.1467-8365.2009.00711.x
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- Article
7
RONI HORN'S ICELANDIC ENCYCLOPEDIA.
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- Art History, 2009, v. 32, n. 5, p. 932, doi. 10.1111/j.1467-8365.2009.00712.x
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- Article
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THOMAS DEMAND, JEFF WALL AND SHERRIE LEVINE: DEFORMING ‘PICTURES’.
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- Art History, 2009, v. 32, n. 5, p. 954, doi. 10.1111/j.1467-8365.2009.00713.x
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- Article
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ALMOST MEROVINGIAN: ON JEFF WALL'S RELATION TO NEARLY EVERYTHING.
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- Art History, 2009, v. 32, n. 5, p. 977, doi. 10.1111/j.1467-8365.2009.00714.x
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- Article
10
MORNING CLEANING: JEFF WALL AND THE LARGE GLASS.
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- Art History, 2009, v. 32, n. 5, p. 996, doi. 10.1111/j.1467-8365.2009.00715.x
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- Article
11
ABSTRACTS AND AUTHORS.
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- 2009
- Publication type:
- Abstract
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INDEX TO VOLUME THIRTY TWO.
- Published in:
- Art History, 2009, v. 32, n. 5, p. 1021, doi. 10.1111/j.1467-8365.2009.00734.x
- Publication type:
- Article