IMPACT OF NIHILISTIC TREND ON THE STYLE OF DRAMATIC STAGE SCENERY.
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- Trans/Form/Ação, 2025, v. 48, n. 3, p. 1, doi. 10.1590/0101-3173.2025.v48.n3.e025008
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Works matching IS 01013173 AND DT 2025 AND VI 48 AND IP 3
Results: 16
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COMMENT ON “THE CONSTRUCTION OF ECOLOGICAL SOCIALISM UNDER THE CONCEPT OF LIBERATING NATURE: WILLIAM RICE’S CRITIQUE OF THE CONCEPT OF CONTROLLING NATURE”.
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- Trans/Form/Ação, 2025, v. 48, n. 3, p. 1, doi. 10.1590/0101-3173.2025.v48.n3.e025034
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THE CRITIQUE AND TRANSCENDENCE OF UNIVERSAL VALUES THROUGH THE HUMANITY’S COMMON VALUES: A THEORETICAL INVESTIGATION ON MARX’S THOUGHT ON PERSONAL FREEDOM.
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- Trans/Form/Ação, 2025, v. 48, n. 3, p. 1, doi. 10.1590/0101-3173.2025.v48.n3.e025036
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EVALUATION OF THE CONTEMPORARY AESTHETIC EDUCATION VALUE OF CHINESE CLASSICAL DANCE EDUCATION THOUGHT.
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- Trans/Form/Ação, 2025, v. 48, n. 3, p. 1, doi. 10.1590/0101-3173.2025.v48.n3.e025035
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THE FUSION OF SUBJECTIVITY AND OBJECTIVITY: A STUDY ON THE CONSTRUCTION OF HISTORICAL FACTS OF CHINESE ANTI-JAPANESE WAR FROM THE PERSPECTIVE OF TOYNBEE’S PHILOSOPHY OF HISTORY.
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- Trans/Form/Ação, 2025, v. 48, n. 3, p. 1, doi. 10.1590/0101-3173.2025.v48.n3.e025031
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- Article
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THE CONSTRUCTION OF ECOLOGICAL SOCIALISM UNDER THE CONCEPT OF LIBERATING NATURE: WILLIAM RICE’S CRITIQUE OF THE CONCEPT OF CONTROLLING NATURE.
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- Trans/Form/Ação, 2025, v. 48, n. 3, p. 1, doi. 10.1590/0101-3173.2025.v48.n3.e025030
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- Article
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HISTORY NARRATIVE CONSTRUCTION OF PRODUCT AESTHETICS: ARTISTIC CULTURAL EXPRESSION FROM FORM TO EMOTION.
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- Trans/Form/Ação, 2025, v. 48, n. 3, p. 1, doi. 10.1590/0101-3173.2025.v48.n3.e025026
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A COMPARATIVE STUDY OF MENCIUS’S THOUGHTS THROUGH HUMAN NATURE AND HARMONY.
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- Trans/Form/Ação, 2025, v. 48, n. 3, p. 1, doi. 10.1590/0101-3173.2025.v48.n3.e025022
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THE ROLE OF EMOTION IN MORAL JUDGMENT: THE REBIRTH OF TRADITIONAL CHINESE ETHICAL THOUGHT IN MODERN PSYCHOLOGY.
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- Trans/Form/Ação, 2025, v. 48, n. 3, p. 1, doi. 10.1590/0101-3173.2025.v48.n3.e025021
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REALM OF BLANK SPACE: FROM CHINESE BRUSH PAINTING TO MUSIC APPRECIATION.
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- Trans/Form/Ação, 2025, v. 48, n. 3, p. 1, doi. 10.1590/0101-3173.2025.v48.n3.e025020
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NATURAL BEAUTY OF MODERN ART PHILOSOPHY: EVALUATION OF THE ART FORM OF SPORT ICE AND SNOW SCULPTURE IN LANDSCAPE ARCHITECTURE.
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- Trans/Form/Ação, 2025, v. 48, n. 3, p. 1, doi. 10.1590/0101-3173.2025.v48.n3.e025019
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ZEN EMPTINESS: APPLICATION AND EXPLORATION OF ZEN PHILOSOPHY IN MODERN MINIMALIST ART DESIGN.
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- Trans/Form/Ação, 2025, v. 48, n. 3, p. 1, doi. 10.1590/0101-3173.2025.v48.n3.e025018
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A STUDY ON COMMODITY CRITICISM FROM THE PERSPECTIVE OF MARXIST SEMIOTICS.
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- Trans/Form/Ação, 2025, v. 48, n. 3, p. 1, doi. 10.1590/0101-3173.2025.v48.n3.e025013
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REEXAMINING DERRIDA’S DECONSTRUCTIVE TRANSLATION THOUGHTS FROM THE PERSPECTIVE OF “RELEVANCE”.
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- Trans/Form/Ação, 2025, v. 48, n. 3, p. 1, doi. 10.1590/0101-3173.2025.v48.n3.e025011
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BETWEEN EMPTINESS AND REALITY: FROM THE WHITE SPACE IN CHINESE PAINTING TO THE PHILOSOPHY OF FORM IN WESTERN ART.
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- Trans/Form/Ação, 2025, v. 48, n. 3, p. 1, doi. 10.1590/0101-3173.2025.v48.n3.e025010
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CONFUCIAN INTERPERSONAL RELATIONSHIPS AND FAMILY ETHICS AND ITS CONTEMPORARY VALUE.
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- Trans/Form/Ação, 2025, v. 48, n. 3, p. 1, doi. 10.1590/0101-3173.2025.v48.n3.e025009
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