NOTES ON CONTRIBUTORS.Published in:Essays in Literature, 1979, v. 6, n. 1, p. 141Publication type:Article
THE FAILURE OF SYMBOLS IN A SURREALIST POEM OF LUIS CERNUDA.Published in:1979By:Summerhill, Stephen J.Publication type:Essay
ALBERTINE MISCONSTRUED: COMPLICITY AND DUPLICTY IN PROUST.Published in:1979By:Fisher, Mark LawrencePublication type:Essay
NADA AND THE CLEAN, WELL-LIGHTED PLACE: THE UNITY OF HEMINGWAY'S SHORT FICTION.Published in:1979By:Hoffman, Steven K.Publication type:Essay
TWO INNOCENTS IN ROME: DAISY MILLER AND INNOCENT THE TENTH.Published in:1979By:Tintner, Adeline R.Publication type:Essay
MELVILLE'S "THE BELL-TOWER" AND "BENITO CERENO": COMPANION-PIECES ON SLAVERY.Published in:1979By:Karcher, Carolyn L.Publication type:Essay
BLAKE'S EROTIC APOCALYPSE: THE ANDROGYNOUS IDEAL IN JERUSALEM.Published in:1979By:Hoeveler, Diane LongPublication type:Essay
CONCENTRICITY, CHRISTIAN MYTH, AND THE SELF-INCRIMINATING NARRATOR IN ROCHESTER'S A RAMBLE IN ST. JAMES'S PARK.Published in:1979By:Pasch, Thomas K.Publication type:Essay
CHURCHYARD'S "CARDINAL WOLSEY" AND ITS INFLUENCE ON SHAKESPEARE'S HENRY VIII.Published in:1979By:Kiefer, FrederickPublication type:Essay