Writing to the World: Letters and the Origins of Modern Print Genres by Rachael Scarborough King (review).Published in:2021By:Jarvis, J. EreckPublication type:Book Review
The Camera Lens: Representation, Authenticity, and Manipulation in Penelope Lively's The Photograph and J. M. Coetzee's Slow Man.Published in:2021By:Benia, Amel;Dagamseh, Abdullah;Suyoufie, FadiaPublication type:Literary Criticism
Improving the Self: Francis Bacon's Essays and the Cultural Logic of Agrarian Capitalism.Published in:College Literature, 2021, v. 48, n. 1, p. N.PAG, doi. 10.1353/lit.2021.0004By:Lawson, AndrewPublication type:Article
Having the Cake and Eating it Too: The Secret Ingredients of Code-Switching in A Girl Made of Dust.Published in:2021By:Hout, SyrinePublication type:Literary Criticism
Domesticating the Afterwar: David Finkel's Thank You For Your Service (2013).Published in:2021By:Wilson, ChristopherPublication type:Literary Criticism
"The Crossroads of America" and Bildungsroman in Mohja Kahf's and Randa Jarrar's Fiction.Published in:2021By:Djohar, Hasnul InsaniPublication type:Literary Criticism
"Enemies Within": Pat Barker's Great War and Margaret Thatcher's New Right.Published in:College Literature, 2021, v. 48, n. 1, p. N.PAG, doi. 10.1353/lit.2021.0000By:Mickalites, CareyPublication type:Article