Divided We Stand: Emergent Conservatism in Royall Tyler's The Algerine Captive.
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- Studies in American Fiction, 2010, v. 37, n. 1, p. 5, doi. 10.1353/saf.2010.a404105
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Works matching IS 00918083 AND DT 2010 AND VI 37 AND IP 1
Results: 7
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The Beginning of History and Politics: Susan Choi's American Woman and the Shadow of U.S. Imperialism.
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- Studies in American Fiction, 2010, v. 37, n. 1, p. 127, doi. 10.1353/saf.2010.a404110
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Sewer, Furnace, Air Shaft, Media: Modernity Behind the Walls in Native Son and Manhattan Transfer.
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- Studies in American Fiction, 2010, v. 37, n. 1, p. 55, doi. 10.1353/saf.2010.a404107
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Foreign Objects, or, DeLillo Minimalist.
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- Studies in American Fiction, 2010, v. 37, n. 1, p. 101, doi. 10.1353/saf.2010.a404109
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5
Tillie Olsen, Unfinished (Slow Writing from the Seventies).
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- Studies in American Fiction, 2010, v. 37, n. 1, p. 81, doi. 10.1353/saf.2010.a404108
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6
Editors' Note.
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- Studies in American Fiction, 2010, v. 37, n. 1, p. 1, doi. 10.1353/saf.2010.a404104
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7
"Metamorphosis of the Newsboy": E.D.E.N. Southworth's The Hidden Hand and the Antebellum Story-Paper.
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- Studies in American Fiction, 2010, v. 37, n. 1, p. 29, doi. 10.1353/saf.2010.a404106
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