The Tableau Vivant and the Intermedial Clash: Temporality and Power-Dynamics in Fassbinder's Fontane Effi Briest.Published in:Literature Film Quarterly, 2022, v. 50, n. 1, p. 5By:Lewit, IdoPublication type:Article
Rethinking Fidelity, Adaptation, and Propaganda: Garden of Repose on Screen.Published in:Literature Film Quarterly, 2022, v. 50, n. 1, p. 4By:Li YiPublication type:Article
From Shakespearean Comedy to Postcolonial Farce: Genre and Trope in the Indian Cinema Adaptations of The Comedy of Errors.Published in:Literature Film Quarterly, 2022, v. 50, n. 1, p. 3By:Mukherjee, AshmitaPublication type:Article
Direct Address on Stage and Screen: Shakespeare's Richard III and Netflix's House of Cards.Published in:Literature Film Quarterly, 2022, v. 50, n. 1, p. 2By:Twomey, RyanPublication type:Article
A Magnificent Failure: Dialectical Cinema and Stardom in Norman Mailer's Wild 90.Published in:Literature Film Quarterly, 2022, v. 50, n. 1, p. 1By:Wood, GlenPublication type:Article