Joseph Losey, with (and without) Pinter.
- Published in:
- 1994
- By:
- Publication type:
- Book Review
Works matching IS 00904260 AND DT 1994 AND VI 22 AND IP 3
Results: 10
1
2
The ideological transformation of Conrad's The Secret Agent into Hitchcock's Sabotage.
- Published in:
- Literature Film Quarterly, 1994, v. 22, n. 3, p. 199
- By:
- Publication type:
- Article
3
Auteur iconoclasm: Geoff Andrew's Film Handbook.
- Published in:
- Literature Film Quarterly, 1994, v. 22, n. 3, p. 195
- By:
- Publication type:
- Article
4
`Torment street between malicious and crude': Sophisticated primitivism in the films of Samuel...
- Published in:
- Literature Film Quarterly, 1994, v. 22, n. 3, p. 187
- By:
- Publication type:
- Article
5
Von Sternberg, Lubitsch, and Lang in the work of Manuel Puig.
- Published in:
- Literature Film Quarterly, 1994, v. 22, n. 3, p. 181
- By:
- Publication type:
- Article
6
Mythic space and monument valley: Another look at John Ford's Stagecoach.
- Published in:
- Literature Film Quarterly, 1994, v. 22, n. 3, p. 174
- By:
- Publication type:
- Article
7
The role of Beyond The Forest in Albee's Who's Afraid of Virginia Woolf?
- Published in:
- Literature Film Quarterly, 1994, v. 22, n. 3, p. 170
- By:
- Publication type:
- Article
8
Tom's a-cold: Transformation and redemption in King Lear and The Fisher King.
- Published in:
- Literature Film Quarterly, 1994, v. 22, n. 3, p. 160
- By:
- Publication type:
- Article
9
Postmodernist play in Karel Reisz's The French Lieutenant's Woman.
- Published in:
- Literature Film Quarterly, 1994, v. 22, n. 3, p. 151
- By:
- Publication type:
- Article
10
The Snake Pit: A woman's serpentine journey toward (w)holeness.
- Published in:
- Literature Film Quarterly, 1994, v. 22, n. 3, p. 144
- By:
- Publication type:
- Article