Re-configuring Oedipal Scenes: Loss, Retrieval, and Deathly Visitation in Peter Sasdy's Hands of the Ripper and Tom McLoughlin's The Unsaid.Published in:2013By:CHRYSOCHOU, PANAYIOTAPublication type:Film/TV Criticism and Review
Isabel Archer's "Delicious Pain": Charting Lacanian Desire in The Portrait of a Lady.Published in:2013By:VAN SLYCK, PHYLLISPublication type:Literary Criticism
"Now We're Out of Time": Thoughts on Endings in Poetry and Psychoanalysis.Published in:American Imago, 2013, v. 70, n. 4, p. 607, doi. 10.1353/aim.2013.0029By:JONES, ALICE A.Publication type:Article
"The Skin She Lives In": The Skin Ego in the Sculpture of Ursula von Rydingsvard.Published in:2013By:CAMDEN, VERA J.Publication type:Essay
L'effet c'est toi: Projective Identification from Nietzsche to Klein.Published in:American Imago, 2013, v. 70, n. 4, p. 563, doi. 10.1353/aim.2013.0025By:RUSSELL, JAREDPublication type:Article
Neurotic Being and Erotic Time: Philosophic Reflections on Hans Loewald's Contributions to Psychoanalysis.Published in:American Imago, 2013, v. 70, n. 4, p. 663, doi. 10.1353/aim.2013.0023By:FENICHEL, TERESAPublication type:Article